Toronto 2014 Review: ELECTRIC BOOGALOO: THE WILD, UNTOLD STORY OF CANNON FILMS Is Lovingly Reverent Of The Ridiculous

Mark Hartley's unofficial biography of Cannon Films impresarios Menahem Golan and Yoram Globus is equal parts reverent and dumbfounded in its depiction of these maverick Hollywood outsiders. Bottling the same level of ravenous reportage for Cannon's bountiful output as Hartley... More »
  

Toronto 2014 Review: RUN Finds Thrilling Drama In Fractured Character Study

Ivorian Philippe Lacôte's film Run is a brash fiction debut for this documentarian. The film begins with an off-camera assassination, and through a series of concentric flashback's we're told the story of Run. Part gangster and part activist, Run... More »
  

Toronto 2014 Review: Kevin Smith's TUSK Gleefully Plays By Its Own Rules

"Why don't you ask him if he's going to stay? Why don't you ask him if he's going away? Why don't you tell me what's going on?" - TUSK, Fleetwood Mac Kevin Smith is many things to many people... More »
  

Toronto 2014 Review: Winterbottom's THE FACE OF AN ANGEL Is A Meta-Narrative Thriller That Works

It's a dangerous thing to make a movie about making a movie. It's even more dangerous when the movie is about the writing process for the very movie the audience is watching. Not only is the meta-narrative difficult to pull... More »
  

Toronto 2014 Review: THE WORLD OF KANAKO, Gloriously Irresponsible Filmmaking

The first two minutes of Nakashima Tetsuya's violent and unrelenting The World of Kanako are a litmus test on whether one should proceed. A frenetic orgy of editing non-sequitors, both assaulting and attention grabbing, occurs right before slamming into a stylized... More »
  

Toronto 2014 Review: CHARLIE'S COUNTRY, Wild Vistas, Remarkable Performances, And Assured Direction

When I saw Rolf de Heer's Bad Boy Bubby in an arthouse theatre back in the mid-90s, I was totally unprepared for such raw and nihilistic filmmaking. A violent and dark film, it was clear from that one film... More »
  

Toronto 2014 Review: SPRING Is No Sophomore Slump

"You saw me all fucked up and I am still here." So says Evan (Lou Taylor Pucci) to his Italian girlfriend, Louise (Nadia Hilker), after discovering that her 'little secret' is well outside his comfort zone. It is this moment, well... More »
  

Toronto 2014 Review: SONG OF THE SEA Is A Timeless Delight For All Ages

Irish animator Tomm Moore made - to put it mildly - a very large impression with his 2009 feature debut The Secret Of Kells, a gorgeous piece of work with rich storytelling high in adventure and genuine emotion that earned... More »
By Todd Brown   
  

Toronto 2014 Review: THE DEAD LANDS, An Epic Yet Intimate Action Journey

As is often the case with a classical heroic journey, what you get out of the quest is often what you bring to it. With some humility and patience, you'll be rewarded; wanting rewards without putting in the work... More »
  

Toronto 2014 Review: THE CONNECTION Misses Its Mark

The Connection (titled La French in its native county) has the makings of a great film, which is what makes the final product such a disapointment. Drawing upon the same case that was the basis for the William Friedkin... More »
  

Review: DOCTOR WHO S8E03, ROBOT OF SHERWOOD (Or, The Doctor Meets Robin Hood)

Throwing the Doctor and some well-known figure from history or legend together for an episode is hardly a new trick for Doctor Who, although it is somewhat unusual to see our hero so nonplussed by the whole thing.As the title... More »
  

Toronto 2014 Review: BIG GAME, Big Fun That Feels Totally Fresh

It's such a delight to see a film that plays by its own rules, fulfilling the premise that it sets up, and delivering right through to the conclusion. This is especially true for Midnight movies, as often you get... More »
  

Toronto 2014 Review: Stylish And Well Performed, SCARLET INNOCENCE Surprises And Delights

Adapted from a Korean folk tale and starting off as a softly lensed romantic melodrama, you'd be forgiven for thinking that Scarlet Innocence, the latest work from noted visual stylist Yim Pil-sung, must be primed for a local audience. Yet... More »
  

Toronto 2014 Review: THE LITTLE DEATH, Kinky, Tragic, Hilarious

Josh Lawson is a charming and cheeky fellow. His goofiness on screen and well-mannered presence has permeated execrable dross from Australia and made it watchable. His painful turn as Doug, the loser partner in Showtime's black comedy series House of... More »
  

Toronto 2014 Review: CLOUDS OF SILS MARIA Will Age Gracefully

The eponymous image of Clouds of Sils Maria features a heavenly mist snaking its way through mountain peaks like a river, the rocks frozen in time, immutable, the clouds in perpetual motion.It is shown as shot for Olivier Assayas in 2014,... More »
  

Toronto 2014 Review: HECTOR AND THE SEARCH FOR HAPPINESS, Cluelessly Earnest

The patron saint of smashing entitlement into smithereens, Louis C.K., has a great bit about being Caucasian. The gist of it is that he can hop in a time machine and go back in history, and there will be a... More »
  

Review: It's Baudrillard Revisited In Czech Anti-Rom DELIGHT

Czech director Jitka Rudolfová rejoins the ranks of emerging filmmakers worth following. Her feature debut, a sort of generational observation piece called Dreamers, focuses on a group of friends in their 30's who decide to change their aimless lives. Delight... More »
  

Toronto 2014 Review: Sono's TOKYO TRIBE Is The Best Musical Of The New Decade

Disclaimer: I don't like hip hop. In fact, most of the time I can't stand it. This movie is a hip hop musical. I love this movie.Right now Tokyo Tribe is my choice for the best movie of 2014. Fascinating... More »
  

Review: RUROUNI KENSHIN: KYOTO INFERNO Delivers Grand Thrills

Satoh Takeru's wandering samurai returns in a sequel that improves considerably on the enjoyable first feature while setting the scene for the soon to follow finale. The first film's strength was its high production value and visually exciting action scenes... More »
  

Review: WETLANDS, Not For The Faint Of Heart Nor Weak Of Stomach

When a film begins with a teenage girl deliberately smearing her genitals all over an especially disgusting public toilet seat, you pretty much have an idea what you're in for. Wetlands, director David Wnendt's sophomore feature after the award winning... More »
By J Hurtado   
  
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