SXSW 2015: WE ARE STILL HERE Teaser Demands Obedience To Horror House

I've lived in apartments for most of my adult life, but I grew up in a house, so I appreciate the allure of owning your own home. But why oh why would you stay in a house with a troubled,... More »
By Peter Martin   
  

SXSW 2015: CROW HAND!!! New Bloody Still And Short, Sweet Teaser

O joy! Brian Lonano's latest short Crow Hand!!! has been selected for the 2015 SXSW Film Festival, and to celebrate, we are pleased to showcase a new bloody still and a new, equally bloody teaser. SXSW kicks off its film... More »
By Peter Martin   
  

Review: BHOPAL: A PRAYER FOR RAIN Makes An Earnest, Sincere Entreaty

It's one thing to glance at a headline about a terrible tragedy. It's quite another to witness actions over a period of months that eventually lead to a horrifying disaster. Inspired by a true story, Bhopal: A Prayer for Rain,... More »
By Peter Martin   
  

URGE First Look: Have A Laugh With Pierce Brosnan

Pierce Brosnan and his guests sure look like they are having the time of their lives in this first-look pic from Aaron Kaufman's feature debut Urge. A group of friends on an island getaway experiment with a new designer drug that... More »
By Andrew Mack   
  

Review: WE ARE THE GIANT, Revolution In The Face Of Fear

You say you want a revolution. But are you willing to remain peaceful in the face of violence? Are you willing to die for your beliefs? Muhannan was a happy young man, according to the documentary We Are the Giant,... More »
By Peter Martin   
  

Twitchvision: Jason Gorber Talks STILL ALICE And JUPITER ASCENDING

Back in studio this week, featuring a look at the latest film from the Wachowski siblings, Jupiter Ascending, along with the Julianne Moore-starring, Academy Award shoe-in Still Alice.Video embedded below... More »
By Jason Gorber   
  

Berlinale 2015 Review: QUEEN OF EARTH Proves How Great Faces Look On Film

Alex Ross Perry is a more than promising young director. He courageously combines intimacy, humor and a sense for cinematic language and form. Nevertheless, his latest, Queen of Earth, is a step back for the young director in terms of maturity... More »
  

Rotterdam 2015 Review: SET ME FREE Impressively Keeps It Real

(Here's someone literally begging to be taken to church...) In Kim Tae-yong's debut film Set Me Free (original Korean title Geo-in), he deals with the memories he has about one of the darkest moments in his own childhood. His parents... More »
By Ard Vijn   
  

NYC Happenings: "Tell It Like It Is: Black Independents In New York, 1968-1986" Uncovers An Overlooked Yet Richly Creative Period

Of the many cultural events occasioned by Black History Month, without a doubt one of the most rewarding, and indeed revelatory, is "Tell It Like It Is: Black Independents in New York, 1968-1986," the Film Society of Lincoln Center's series.... More »
  

Your First Look At Aaron Eckhart And Miles Teller In BLEED FOR THIS

We have your first look at Aaron Eckhart and Miles Teller in Ben Younger's third feature film Bleed For This. You do not get a really good look at Eckhart but a buff Teller is front and center in the... More »
By Andrew Mack   
  

Have A Look At A Shorn Keanu Reeves In DAUGHTER OF GOD Stills

Here is your first look at clean cut Keanu Reeves in Gee Malik Linton`s feature debut, the thriller Daughter of God. Starring with Reeves is his Knock Knock co-star, Cuban actress Ana de Armas. A detective searches for the truth behind... More »
By Andrew Mack   
  

Sundance 2015 Review: CALL ME LUCKY, Bobcat Goldthwait Documents His Mentor

I admit that when I first saw Bobcat Goldthwait on screen sometime in the 1980s, he of the Grover voice making me laugh in the second Police Academy movie, it never occurred to me that he'd be helming one... More »
By Jason Gorber   
  

Sundance 2015 Review: WHAT HAPPENED, MISS SIMONE?

She approaches the piano with a regality that's startling, her eyes piercing the crowd and her shoulders locked in an almost feline repose. She places a hand on the grand piano sat in front of her and looks out,... More »
By Jason Gorber   
  

Sundance 2015 Review: THE VISIT, A Speculative Documentary

So, the aliens have landed. Well, not really. But let's for a moment say they have. E.T.s are in town, and they're ready to talk. To whom do they converse? Who do we, collectively, send out to initiate the... More »
By Jason Gorber   
  

Kickstart This! THE LAST LOVECRAFT 2: Because There Is Always Room For More Cthulu

This is for the fans of the The Last Lovecraft: Relic of Cthulu. If you have found your life remarkably void of Cthulu related goodness of late then rejoice because the gang is getting together. Maybe. At least they really,... More »
By Andrew Mack   
  

Kickstart This! THE YELLOW FEATHER. A Horror Fantasy With Mayan Gods, Orphans And Conquistadors

Here is a project you may be interested in supporting. Brothers Lincoln and Lucas Smith are gathering support for a dream project, a horror fantasy film called The Yellow Feather. It is a story that they have been working on for... More »
By Andrew Mack   
  

Sundance 2015 Review: THE FORBIDDEN ROOM, Weird And Wonderful

There are few things as futile (or daunting) as trying to make sense on paper of a Guy Maddin film. Save for My Winnipeg, which given its relative specificity and coherent narration serving almost as commentary for the flood... More »
By Jason Gorber   
  

UNTÖT: Hayden Christensen Set To Battle WWII Undead

If you have been thinking to yourself that you just have not had your fill of Nazis, and zombies, and whichever combination thereafter, then have we got news for you. If you have also been thinking to yourself, "Self. Where is... More »
By Andrew Mack   
  

Sundance 2015 Interview: Lily Tomlin, Badass GRANDMA

Grandma is by far the best film to come from writer/director Paul Weitz, the mind that brought us such films as the 90s sex romp, American Pie, and the feel-great Nick Hornby adaptation About a Boy. The triumph of his... More »
By Zach Gayne   
  

Slamdance 2015: TwitchFilm Wraps It Up

It felt like yesterday that the 21st Slamdance Film Festival was getting underway in Park City. Making their mark as future indie darlings today, this year's fest was a robust one, featuring a smorgasbord of smart genre fare and bold... More »
By Ben Umstead   
  
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