Review: HANNIBAL Recap Thus Far And S01E05 - These Are Not Your Sunday School Angels

At the bequest of some of our readers we will continue to look at Bryan Fuller's Hannibal. So we have a bit of catching up to do as we let two episodes slide by without as much as a squeak.... More »
  

Review: NO PLACE ON EARTH Goes Dark With History

The new documentary No Place on Earth attempts to take viewers back in time to the dark days of the second world war, when Nazis were pursuing Jews, peril was everywhere, and still no one had any real notion... More »
By Jim Tudor   
  

Review: PAIN & GAIN Mocks Meatheads, Is Meatheaded

Pain & Gain is a brash, puerile action-comedy of errors about a trio of muscle-obsessed idiots who set out to extort money from a sleazy Miami businessman by kidnapping and torturing him. Michael Bay, who directed it, is almost the... More »
  

Review: IRON MAN 3 Has Wit But Lacks Brains

Shane Black adds humour and verve to Marvel's most successful screen superhero, ensuring Iron Man 3 sees Tony Stark more acerbic and witty than ever. But while Robert Downey Jr. brings the laughs and Black supplies the thrills, the film... More »
  

Review: HEMLOCK GROVE S1E01-13 (Or, Blood, Intestines, and Vomit Instead of Story, Characters, and Horror)

Netflix took a big step forward with House of Cards and now takes two steps backward with Hemlock Grove. Rather than binge viewing, Hemlock Grove inspires binge drinking. As with House of Cards, all 13 episodes of Hemlock Grove debuted... More »
  

Review: COMMUNITY S4E10, Intro To Knots (Or, When Exposition On Betrayal Betrays The Funny)

For the four people that read these Community reviews on a regular basis: Apologies for being late. Perhaps we're past the point where doing a review this week feels relevant, or perhaps it's just that I was so underwhelmed by... More »
  

Review: SCARY MOVIE 5 Contains No Laughs But Much Poop

I'd be tempted to say that nothing in Scary Movie 5 is funny, but the outtakes that play over the closing credits show multiple cast members struggling to keep from laughing, so obviously I'm mistaken. Clearly the film is hilarious.... More »
  

Review: COMMUNITY S4E09, Intro To Felt Surrogacy (Or, Playing With Puppets Can Be Bittersweet)

It's nice that I don't have to make any lame jokes about the use of puppets in this episode as the title so cleverly got that out of the way for me. So thank you, Community writers. You do your... More »
  

Review: 42 Offers a Nice, Pleasant Version of Jackie Robinson's Story

The closest 42 comes to revealing anything about the actual personality or character of Jackie Robinson -- the first black player in Major League Baseball -- is when he privately expresses frustration at being beholden to someone for a kindness.... More »
  

Review: OBLIVION Looks Great, Sounds Like a Dozen Better Sci-Fi Flicks

Tom Cruise returns to the realms of science fiction, conspiring with Tron: Legacy's Joseph Kosinski in a big screen adaptation of the director's unpublished graphic novel. While visually spectacular and action-packed, Oblivion compromises its technical accomplishments with a sloppily executed... More »
  

TV Review: COMMUNITY S4E08, Herstory Of Dance (Or, Much Ado About Britta)

For those of us who have not given up on the show, we're now a few weeks in to settling in moderate comfort to the Community Moses Port & David Guarascio and their writing staff have made. What started out... More »
  

TV Review: HANNIBAL S1E01, An Apertif That Goes Down Bloody. Bloody Good, That Is

Admittedly this one snuck up on me tonight. If it were not for the commercial promotions earlier in the evening I probably would have closed the night off gaming, reading, or heaven forbid, Spring cleaning. Thank goodness I stuck around,... More »
  

Review: JURASSIC PARK In 3D Still Inspires A Sense Of Wonder

BOOooooooooommmm......I sat in the theatre, kind of in awe. It was my first DTS screening, the cinema having been recently retrofitted for the technology. The year was 1993, and digital surround technology was finally finding its base (and its bass).... More »
  

Counterpoint Review: EVIL DEAD is Torture

There is a moment in Fede Alvarez's article-less remake of The Evil Dead that offers a hint of the condescension to come; an utter lack of faith in the audience or a confidence crisis in storytelling.  After a mishandled prologue... More »
  

Review: TRANCE Juggles All The Elements, Drops The Ball

Trance is the latest genre-riffic attempt from wunderkind Danny Boyle, the director that came into mainstream acclaim from Slumdog Millionaire but was making great films well before. Stuck in a 90's state of mind, Trance follows Londoners connected in a... More »
  

Review: THE HOST Makes Me Hate Cinema

It's rare that I see a film as patently awful as The Host. I mean, sure, I've stomached the likes of Identity Thief in the last few months, but this latest "film" from the "mind" of Twilight "author" Stephenie Meyer... More »
  

Review: G.I. JOE: RETALIATION Kicks Way More Ass Than It Needs To

G.I. Joe: Retaliation is not the toy-line adaptation movie we deserve. A market that allows for studio execs to even bat around the idea of dropping more than $100 million dollars on a consumerist nostalgia cash-in based on a bunch... More »
  

Review: Beyond the Spectre of HBO's PHIL SPECTOR

All the ingredients are there - a salacious crime and trial that captivated tabloids, centered around a man that has had the name genius about him for half a century. A quirky, charismatic dwarven weirdo that helped shape the sounds... More »
  

TV Review: COMMUNITY S4E07, Economics Of Marine Biology (Or, It's Starting To Feel Like Home Again)

No doubt I've been extra wary towards Community this season what with new showrunners David Guarascio, Moses Port and their (largely new stock of) writers taking over for the old hands that have moved on. I've sometimes been very critical... More »
  

Review: ADMISSION Allows Entry to An Agreeable, If Shallow, Experience

The latest film from director Paul Weitz sits comfortably alongside his earlier comic and ultimately melodramatic explorations of 30-something adult anxieties about parenthood, mid-career crises, and personal growth. As he himself grows older, though, Weitz's indulgence in soapy sentimentality is... More »
  
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