Jason Gorber
Featured Critic; Toronto, Canada

Jason Gorber is a veteran film critic, commentator and interviewer. A pioneer in online film criticism, his first professional reviews date back to the mid-90s. Jason has been formally accredited at the Toronto International Film Festival since 1997, and founded Filmfest.ca as a repository of coverage from that event.

Jason joined the TWITCH family in 2011 where he is now a featured critic covering a wide range of mainstream and independent documentaries and features, as well as conducting many interviews, disc reviews and reporting on news items.

Jason appears on CTV News Channel every Sunday evening, and also guests frequently during weekly broadcasts. In addition, he has also contributed freelance work for the Toronto Star, Canada's largest daily newspaper, and is a regular contributor to Huffington Post/Moviefone. Jason has appeared on radio for both the CBC and Rogers, as well as on CBC's The National.

You can follow Jason on Twitter at @filmfest_ca, see his reviews linked from Rotten Tomatoes and Indiewire's Criticwire.

Review: CARTEL LAND, Mexico, Drugs, And The U.S. Battle

An astonishing journalistic achievement, Cartel Land captures in unprecedented ways the moral quagmire that inexorably links the consumers of drugs in the U.S. with the suppliers south of the border. What sets this film apart is the unique way... More »
By Jason Gorber   
  

Review: BIG GAME, A Totally Fresh Genre Film

It's such a delight to see a film that plays by its own rules, fulfilling the premise that it sets up, and delivering right through to the conclusion. This is especially true for Midnight movies, as often you get... More »
By Jason Gorber   
  

Melbourne 2015: A Relief But No Surprises; MIFF's Cannes Line-Up

The Melbourne International Film Festival Cannes line-up was announced recently. It has become a tradition now that the films MIFF has acquired from La Croisette are announced a month before the full line-up is unveiled.The list contains many films we... More »
  

Twitchvision: Jason Gorber Talks INSIDE OUT, DOPE And Many More

We've been posting our most recent Twitchvision segments on the TwitchFilm Facebook Page (make sure to like it!), but for those like me that aren't really FB types we'll try to regularly post the videos here on the site as... More »
By Jason Gorber   
  

Review: INSIDE OUT, Filled With Emotions

It's no small coincidence that as Pixar enters its cinematic adolescence, it showcases a film that deals with the challenges of growing up. After changing the world of animation with Toy Story, they made a meteoric rise, crafting some of... More »
By Jason Gorber   
  

Interview: Director John Maclean Talks SLOW WEST, Spielberg And More

If you're going to make a splash with your first feature, then John Maclean seems to have found the right way to do it. The former pop musician began by making videos of his band, and soon found himself... More »
By Jason Gorber   
  

The Many Faces Of Sir Christopher Lee

It is strange how the death of someone we don't know personally can sometimes have the impact it has. When the news became known yesterday that Sir Christopher Lee has died last weekend, it shocked me, which is frankly a... More »
By Ard Vijn   
  

Review: ME AND EARL AND THE DYING GIRL Earns Every Emotional Beat

The title for Me and Earl and the Dying Girl is kind of appalling, a sing-song rhyming cadence that reminds of Lobo's buttery 1971 pop hit "Me And You and a Dog Named Boo". Its premise -- a young... More »
By Jason Gorber   
  

Cannes 2015 Wrap: All Our Reviews And Top Picks

The Cannes 2015 film festival is all wrapped up and while we'll have a few more reviews trickling in, here is a list of everything we've seen and written up so far. See below for our thoughts on the top... More »
By Ryland Aldrich   
  

Cannes 2015 Review: Kurzel's MACBETH Is Shakespeare For The GAME OF THRONES Crowd

Justin Kurzel's Snowtown was a remarkable film, a brash feature debut that signaled the emergence of a unique talent joining a slew of them coming out of the Australian independent scene. Following up a powerful true crime story with... More »
By Jason Gorber   
  

Cannes 2015 Review: RAMS, An Exceptional Tale Of Exceptional Stubbornness

Oh, Iceland. With your otherworldly landscapes and ability to extract cool, dry drama like you're farming permafrost, your cinema is like your vistas -  inspiring and intimidating. Add to that some of the special spice that has made the... More »
By Jason Gorber   
  

Cannes 2015 Review: DHEEPAN, Powerful With Moments Of Sheer Bravado

It begins with chaos: shouting voices calling out in alarm, a cacophony of sound, and a flourish of a camera moving through a thick crowd. It ends with similar sounds and a similar shot, one far less sinister and... More »
By Jason Gorber   
  

Cannes 2015 Review: Noé's LOVE Is Both Sticky and Sweet

Gaspar Noé. For some even the name sends shudders. Thoughts of the visually bombastic Enter the Void cause a kind of PTSD, and his Irreversable still haunts some 13 years on. The Argentine-born, France-based director occupies a unique and... More »
By Jason Gorber   
  

Cannes 2015 Review: SICARIO, A Beautifully Executed Hitman Film

In white writing on a black screen we're taught that Sicario was the name given to Hebrew Zealots (the name means "dagger men") who fought to expel the Romans in Judea. Now the name is used in Mexico to refer... More »
By Jason Gorber   
  

Cannes 2015 Review: INSIDE OUT, A New Pixar Classic

It's no small coincidence that as Pixar enters its cinematic adolescence, it showcases a film that deals with the challenges of growing up. After changing the world of animation with Toy Story, they rode a meteoric rise, crafting some of... More »
By Jason Gorber   
  

Cannes 2015 Review: SEA OF TREES, Glimpses Of Beauty Within A Poisoned Forest

It's never a good thing when a film gets booed, but it happens more frequently at Cannes than anywhere in my experience. Often this booing takes on a kind of group think, with headlines all over the world declaring the... More »
By Jason Gorber   
  

Cannes 2015 Review: IRRATIONAL MAN, Woody Allen's Maudlin, Disappointing Trifle

Let's make this perfectly clear - Woody Allen, director, is one of the most unique and prolific talents in the history of cinema. Every year we get a film on schedule, often a chatty and intellectually rich ensemble piece... More »
By Jason Gorber   
  

Cannes 2015 Review: THE LOBSTER Starts Strong But Loses Its Way

Boy, I wanted to love this movie. Really, I did. I mean, the first shot of the film is a delight - a woman is passively driving in a car. She gets out, windshield wipers still flailing away, and... More »
By Jason Gorber   
  

Cannes 2015 News: George Miller on MAD MAX - "I'd See It In 3D"

During the press conference for (the sublime) Mad Max here at Cannes 2015, TwitchFilm asked George Miller directly about his preference for which version of the film he preferred - stereoscopic, or 2D.Due to comments before the film's release... More »
By Jason Gorber   
  

Cannes 2015 Review: SON OF SAUL, A Wrenching, Riveting Holocaust Tale

Son of Saul has two obvious strikes against it. It's a handheld, close POV movie, usually the sign of filmmakers too austere to pick up a tripod, eschewing good framing in favour of shakycam "grit." Then there's the subject... More »
By Jason Gorber   
  
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