Sundance 2015 Review: THINGS OF THE AIMLESS WANDERER, A World-Class Stunner

To be absolutely mesmerized by a film, I mean totally transfixed, is a rare happening in cinema, but should be the norm, right? Rwandan director Kivu Ruhorahoza's Things Of The Aimless Wanderer is just such a film. Spectacular and ambitious... More »
By Ben Umstead   
  

Sundance 2015 Review: CARTEL LAND Documents A Moral Quagmire

An astonishing journalistic achievement, Cartel Land captures in unprecedented ways the moral quagmire that inexorably links the consumers of drugs in the U.S. with the suppliers south of the border. What sets this film apart is the unique way... More »
By Jason Gorber   
  

Sundance 2015 Review: ME AND EARL AND THE DYING GIRL, More Clever Than You Think

The title for Me and Earl and the Dying Girl is kind of appalling, a sing-song rhyming cadence that reminds of Lobo's buttery 1971 pop hit "Me And You and a Dog Named Boo". Its premise -- a young... More »
By Jason Gorber   
  

Sundance 2015 Review: ENTERTAINMENT, Seeking The Legendary Laugh To Masterful Effect

Many would say there are two distinct poles to cinema-going. There are those times when you want something warm and familiar. It's comfort food you can share with your family. Not too sweet or sour, not too heavy. And then... More »
By Ben Umstead   
  

Sundance 2015 Review: THE BRONZE Is Comedy Gold

This summer is sure to produce an onslaught of mindless trash disguised as comedy. Adam Sandler will make more cool millions, Paul Blart will potentially earn more undeserved revenue, and comedic celebrities who have shone in better films will be... More »
By Zach Gayne   
  

Sundance 2015 Review: THE OVERNIGHT Goes There

It's so incredibly tempting to reveal all the bizarre places Patrick Brice's new film, The Overnight, takes its audiences, who, if they're anything like this viewer, will likely watch the film with mouths gleefully agape.The film opens in the bedroom... More »
By Zach Gayne   
  

COP CAR: Focus World Nabs U.S. Rights For Amblin-esque Midnighter

THR reports that Focus World, the 'alternative arm' of Focus Features, bought the U.S. rights for John Watts' Sundance midnighter Cop Car. They plan to share Kevin Bacon's mustache in cinemas and on VOD simultaneously.The film has been praised for... More »
By Andrew Mack   
  

TURBO KID: In This Clip, The Fate Of The World In His Hands

So you missed the World Premiere of Turbo Kid at Sundance Monday night. Then there was another screening on Tuesday night but, BUT! do not fret, there are still two more screenings on Thursday and Saturday! There is a wait list for Thursday... More »
By Andrew Mack   
  

Sundance 2015 Review: H. Explores The Strange Dissonance Of Coupling

There's something strange in the waters of Troy, New York. Something life-changing in the skies. Some of us can see it, some of us can hear it. Some of us will wander into the woods to find it, leaving our... More »
By Ben Umstead   
  

Sundance 2015 Review: HELLIONS, A Monstrous Misstep

Hellions, Journeyman director Bruce McDonald's first foray into horror since 2008's slow-cooker Pontypool, is a maelstorm of horror traditions and tropes, good and bad alike. While the film is never boring for its constant barrage of evocative imagery, cacophonous score... More »
By Ben Umstead   
  

TURBO KID: Apple Finds A New Friend In New Clip

As the dust settles from last night's world premiere of Turbo Kid and we await word from all those lucky enough to be in the house at Sundance, there is another clip for you to watch. It looks like it is the... More »
By Andrew Mack   
  

TURBO KID: The First Teaser Trailer Shows A Grim Future In 1997

A cult classic in the waiting, Turbo Kid, from the film collective RKSS is only hours away from its World Premiere at Sundance. Earlier this week we got our first look in a funny and gory clip. And thanks to Deadline... More »
By Andrew Mack   
  

Sundance 2015 Review: LAST DAYS IN THE DESERT And The Closeness Of The Great Divide

Director Rodrigo García's minimalist Christ-centered parable on fathers and sons pivots the holy man as everyman and observer. It's an approach that feels of merit: one that ultimately doesn't see earth-bound humanity and a more intangible sense of spirituality as... More »
By Ben Umstead   
  

Sundance 2015 Review: THE END OF THE TOUR Beautifully Explores Our Creative Intellects

Can you call it a bromance if there is no comedic intent? If not, then what's the best way to label a burgeoning platonic relationship between two men connecting over previously unexplored similarities and interests? Maybe it's just friendship, relationship,... More »
By Ryland Aldrich   
  

Sundance 2015 Review: KURT COBAIN: MONTAGE OF HECK, The Man Behind The Music And The Mania

I'll admit upfront I'm no fan of either Kurt Cobain or the music he made with Nirvana. The band hit just at that age when I was finding out for the first time about albums like The Who's Quadropenia or... More »
By Jason Gorber   
  

Sundance 2015 Review: COP CAR, A Cult Classic Waiting To Happen

Sometimes a film's premise just sells itself. Two mischievous boys stumble upon an abandoned cop car and decide to take it for a joyride. It turns out the cop car belongs to an officer on the wrong side of the... More »
By Ryland Aldrich   
  

Sundance 2015 Review: BEST OF ENEMIES, A Vital Showcase On Media Iconoclasts

In many ways my media consumption is the child of events that date back to 1968. As an avid consumer of "mainstream" news (CNN is my background music) I have a potentially unhealthy fascination with the way that Americans... More »
By Jason Gorber   
  

Sundance 2015 Review: THE WITCH Will Leave You Haunted And Impressed

Dark, brooding, and mysterious, The Witch is more parts drama than horror. But genre elements and a solid grounding in period source material will keep audiences engaged throughout the film's thrilling conclusion. Set in New England circa 1630 (well before... More »
By Ryland Aldrich   
  

Sundance 2015 Review: Z FOR ZACHARIAH, A Deeply Affecting Near-Future Parable

The premise is beautiful in its elegant simplicity - a woman is left alone in a world that has befallen a catastrophe. Her solitude is interrupted when a man appears, unsettling her life and making radical changes to her... More »
By Jason Gorber   
  

Sundance 2015 Review: TANGERINE Pops With Verve And Vérité

On the streets of Los Angeles sunlight seems to move differently than in most places. It blazes, arching across the sky, like a banshee spreading its wings. From behind the wheel of your car, inching forward in the hellion-marked traffic... More »
By Ben Umstead   
  
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