
The film is the quietest I've worked on. Often there is no sound but wind and boots on hard caliche or stocking feet on concrete. Then again there are shootouts involving an unknown number of shooters with shotguns and automatic weapons. It was unclear for a while what kind of score could possibly accompany this film without intruding on this raw quiet.
Want to hear what he settled on? You'll find the links here.
Thanks for the head's-up! Really looking forward to this one, and any tidbit of information I can get is very welcome. This is sounding (literally, and figuratively) like a return to form for the Coens and I couldn't be happier. I can already hear how those sine waves are going to match up with the film's imagery.
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