Where Quentin Tarantino moved smoothly from his most subtle work (Jackie Brown) to his most bombastic effort (Kill Bill: Volume 1), Joe Carnahan, who started out as sort-of Tarantino wannabe, but matured nicely with the police thriller Narc, throws a soulless pile of editing clichés into the multiplex arena that is this years Domino. In hindsight, Smokin’ Aces makes Domino warrant a second look for subtlety and subtext. Heck, it makes Revolver look good, or at least a more interesting failure. The opening 20 minutes of the film does the tough-guy story telling of Guy Richie’s first efforts (Lock, Stock…, Snatch) or John Travolta and Samuel Jacksons Marcellus Wallace/Tony "Rocky Horror" anecdote in Pulp Fiction. I happen to like this kind of story telling. This type of myth making can give insight to not only the characters of the story, but also of those who do the telling and they world they inhabit. It is unfortunate that this is just the set-up for what comes next. The second half of the film feels like an overlong strung-out version of the Mexican standoff which caps off Tony Scott’s True Romance. Despite well staged action sequences and a reasonable spatial awareness (something which has been slowly disappearing in modern action movies, case in point - the execrable MI:3 of which, co-coincidently, Carnahan was attached to direct at one point) there is simply nothing on the line and nothing to care about in the film and the whole affair is not as fun or loopy as it clearly wants to be. The over-reliance on post-processing is undoubtedly 21st century; everything else feels very much 1994.
The plot (despite some exposition heavy and needless twistiness in the closing chapters of the film) is worthy of scribbling on a cocktail napkin in a sports-bar. Buddy “Aces” Israel is a Vegas showman who got in with the mob a bit too deep and now is forced to go states evidence. Buddy is a callow and pathetic fellow (although not to the glorious height of Bronson Pinchot’s sublime yuppie in TR), played by Jemery Piven, who struggles through bouts of shouting and sweating, but is never very convincing as either a top-tier magician or a hunted man. The mob has put out a million dollar contract out on his head to prevent him from getting to trial. Instead of attracting slick professionals, the contract seems to attract the needlessly showy eccentrics of the profession. Three of the hitmen look like they stepped out of Jackass by way of American History X or Taxi Driver. How’s that for subtle? Yet curiously, this trio has the lion’s share of what passes for comedy here. Joining the hunt is Ben Affleck and his less than enthusiastic bail-bondsmen buddies, a couple of black lesbian assassins, two different disguise artists, a Swedish doctor who looks like a cross between Stellan Skarsgård and Peter Fonda, and of course the FBI (Fronted by Andy Garcia who, one can only assume was pining for the days of Things to Do in Denver When You’re Dead).
Central to the films attempted mix of violence and comedy is Buddy Israel himself. Piven’s performance is done entirely through 5 O’clock shadow and stage-sweat. There is a sight gag that Buddy has gone through half a dozen prostitutes and needs to order up a new batch. The idea is funny, but the execution leaves a bit to be desired, with gorgeous women draped around the room as if on a fashion-mag glossy shoot rather than a night of debauchery. A small detail maybe, but it is offputting. Perhaps more amusing would have been Buddy faced with a bevy of gorgeous women only to not be able to get it up due to the stress of his situation and has to send out for the proper medication. Well, maybe not.
The rest of the large cast is an admittedly interesting hodgepodge: Alicia Keys, Andy Garcia, Ben Affleck, Ray Liotta, Ryan Reynolds and the requisite rapper, Common. It is curious that Reynolds gives the strongest performance of the bunch. One of the few ‘slow moments’ in the film, which is to say, things are not being cut into sped up bursts, involves Reynolds negotiating through a standoff with Alicia Keys and Common while all hell is breaking loose elsewhere. If the rest of Smokin’ Aces had the intensity of this scene I wouldn’t be pecking out several hundred words on why not to bother with the film. Reynolds scenes feel like he is in another, better (more Narc-like) film for most of the proceedings. I wouldn’t have minded seeing that film.
Smokin’ Aces is a huge step down for director Joe Carnahan, not just from his sophomore effort, the underseen and underrated Narc, but even from his BMW short film Ticker. I would suggest you find either of those at your favorite retailer or rental house.
You need to learn to seperate your opinion from others. If I had taken your advice to skip it, I would have missed a film I liked quite a bit. I also liked Revolver and Domino. You should take otehr peoples opinions on movies into acount when reccomending something or not. Some people might like the movie for the exact same reasons you don't.
Hmmm, I actually liked Domino and Revolver myself in small ways for various reasons.
The point of writing a review is that it IS my opinion. It is certainly your option to take it or leave it. I'm not forcing anyone to do anything, merely recommending them not to see it for the reasons contained in the text. I'm not invalidating those reasons for people liking a film (although I'm flattered that you think so...), merely indicating what those things did for me.
I appreciate you taking the time to comment on the site, but telling me to take others opinions into account before writing a review is a bit silly. My opinion is my own and is one voice of many -- on this site, the internet, and non-electronic media in general.
Cheers.
Right. The review was written by Kurt, not someone named RottenTomatoes or MetaCritic.
As a story of questionable accuracy told by a woman of questionable sanity recovering from a preposterous dose of hallucinogens, I give DOMINO high marks indeed. The textbook example of a film folks were a bit too eager to bash, so much so that many of them missed the point completely - Tony Scott's FREDDY GOT FINGERED. REVOLVER I am VERY mixed on - parts of it are brilliant, other, more numerous parts are total crap, and the debt it owes to scores of other, superior films is a bit difficult to ignore. Certainly moments of quality in there, but deeply flawed overall and repeat viewings are downright unkind to it.
SMOKING ACES? Meh, I was excited at first, then I realized it was just the Ace of Spades. I can listen to that whenever I want.
"These guys haves some balls, they have some serious balls".-ray liotta from Smokin Aces. Sadly, the movie pushed my ballz around for 2 hours of sloppy joes editing. Theres this one character who morphs into his victims face for no reason and if there is one, i personally don't give a shit. Then theres this kid with a karate outfit with headgears and gets a boner, and talks slang? Alicia keys say's PUssy in the movie twice!!!
Revolver was so so, Richie trying to get back his former glory after the horror that was Washed Away. Domino was a piece of shit, I actually started to hate the word "Bounty hunter" half way through the film because it was uttered in almost every other sentence.
I hope this is less pretentious than Domino and manages to be fun, which is all I care about in a film like this. This director did great things with Narc so I'm keeping my hopes up.
Is that Chiaki Kuriyama?
Datura - It is Alicia Keys.
You were way, way to kind to this movie Kurt (possible residue from 'Narc', which I agree is criminally underrated). This 'film' was without a doubt one of the worst things I've ever seen with incredibly sloppy acting, directing, even brief visual effects poorly disguised by an attempted 'break-neck speed' style of frenetic editing. I love the action/exploitation genre and always thought they were movies that while rarely mentally stimulating were always fairly easy to watch and hard to screw up. 'Smokin' Aces' proved that theory dead wrong. Problems originating with the script that would have caused even the most indescerning independent hackster to reconsider a certain scene seem to not have occured to Joe Carnahan and the countless people that read this script. For shame, for shame.
By the way, Jason Bateman appeared in just one scene and managed to steal the movie, too bad it wasn't worth stealing.
I had no problem wiht you not liking the film, it just seems too often reveiwers act as though, since they don't like a film then no one will.
This is actually a harder case though, if it's true you liked Revovler and Domino. If I had written a review I would have suggested the film for those who liked those movies and perhaps not for those who didn't. .. Even after really liking the film, I haven't been able to reccomend it to anyone simply because I have no clue whether or not they would like it...
bah, just ignore me... You got the brunt of this just cause this was the first review I read after coming back from the film, and most reviews don't allow you to directly comment... I'd hate for you to remove comments or stop doing reviews...
On one hand I can see where Helu is coming from, but as Kirk as already stated, a review is one persons' sole and unique opinion. It's all the better if it isn't influenced by anyone else's personal judgement because then it wouldn't be personal (as all reviews should be) but a simple summary (See Concensus on RottenTomatoes.) There's advantages to going "some people like it because of this...but I think..." but it's not a necessity.
Trust me folks, Hot Fuzz will be the valedictorian out of the two action/comedy films. I haven't seen Hot FUzz because of course its not out in the states yet, but i can assure you that it will be everything Smokin Aces tries to imulate. A new brand of action comedy.
You have to be joking. First off, Domino rocked extremely hard. Tony Scott is the man, nuff said! Second, although Revolver wasn't the best Ritchie film ever it was still Ritchie and it was still good. Aces has things that can be compared to other movies, but what movie doesn't in this kind of generation? It reminds me of an interview i read about the director of Transporter. He said something like I know there will be people that will say that could never happen or that is humanly impossible! You know what, who cares. It was supposed to be fun and intertaining. Not every movie has to be complicated like Layer Cake or well recieved like The King and the Clown. Aces was a great film with great actors (except Alicia was kinda lame.) 5 stars!!!
This was easily the worst film of the year and yet the year is only a few weeks old, now thats saying a lot since this peice of junk movie is as confusing as the reviews The Village Voice and Rollingstone magazine gave it. Damn what could've been a fun movie turned out to be a confusing mess that had a slopping plot, slopping script, and slopply spoken bad dialog,
And let not start on Alicia Keys what the hell was she thinking when she decided to take this role. Oh I get play it play it safe like you already do with your lame ass music so you decide to don hooker gear, talk some smack and do absolutely nothing throught out this film, whoa way to go babe now you can claim your a movie star.
This film should have been a straight to DVD flick and nothing more.
This was easily the worst film of the year and yet the year is only a few weeks old, now thats saying a lot since this peice of junk movie is as confusing as the reviews The Village Voice and Rollingstone magazine gave it. Damn what could've been a fun movie turned out to be a confusing mess that had a slopping plot, slopping script, and slopply spoken bad dialog,
And let not start on Alicia Keys what the hell was she thinking when she decided to take this role. Oh I get play it play it safe like you already do with your lame ass music so you decide to don hooker gear, talk some smack and do absolutely nothing throught out this film, whoa way to go babe now you can claim your a movie star. However, the film is not her fault its the director with his A.D.D. having ass that made this a bad films that should have been a straight to DVD flick and nothing more.
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