October 09, 2006

David Lynch Secures US/Canada Rights to Inland Empire

(Posted In Film News )

Lynch_pic.jpgDavid Lynch's Inland Empire first mystified critics and audiences alike at the Venice Film Festival (Daily GreenCine summary), and it's doing the same at the ongoing New York Film Festival. Earlier today, Cinematical reported that sales agent Studio Canal pulled the film from the fantastic Sitges Film Festival "for fear people might like it too much" and thus make it harder for Studio Canal to convince Lynch to trim the film's running time.

Now comes word via a press release reprinted at Yahoo! that Lynch himself has secured US and Candian distribution rights to the film.

Generally, self-distribution has been a path trod by less-established filmmakers, but with Lynch's new work on video and with his reputation added to the mix it will be interesting to see how Lynch and his producing partner Mary Sweeney play this particular game. The film will have a gala presentation at AFI Fest in Los Angeles next month.

» Posted by Peter Martin at October 9, 2006 07:59 PM
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Reader Comments

He will probably do some kind of pay-per-view thing on his website and maybe a very limited theatrical release as well. I think it's cool.

» Posted by Caterpillar at October 10, 2006 05:03 AM

any trailers anywhere?

» Posted by tim t. at October 10, 2006 05:10 PM

I think he will probably try for a little more than a very limited theatrical release. Lynch has always been very vocal that his films are intented to be seen in the theater. It's hard to imagine he would just dump this onto video without making a big push for the big screen. Remember how much he got out there are pushed the release of Lost Highway when it crashed with the critics and it looked like it was headed straight to video? Well who knows. If Lynch is one thing, he's pretty unpredicatable.

» Posted by gingersoll at October 11, 2006 12:58 AM

If a person has the money for the project, as Lynch probably does throuh Studio Canal, getting a film to play wide theatrically is not a problem - due to service deals (a filmmaker or a producer can hire a distributor to get the film out to as many theaters as they want, & then pay for all the expenses incurred by the distributor & a fee for their work, w/ the filmmaker keeping all the money made at the box office, & there are many possible variations to the service deal arrangement). The film An American Haunting was an indie that played on more then 1500 screens due to a service deal arrangement. Also, on the bigger budget self-distribution through service deals we have the examples of the recent Lucas/Star Wars flicks & of course Gibson/Passion of Christ. On a much smaller scale there is Truly Indie, which is a Landmark Theaters operation, but that too takes away the need for the filmmaker to call every theater himself - basically easier then a 100% indie self-distribution situation such as Lance Weiler's Head Trauma which happened this year.

I am guessing that the Inland Empire theatrical release will be relatively wide for an indie film. Probably as many theaters as Mulholland Drive. Of course we will have to see what develops as not many details are yet revealed re: Lynch's self-distro effort.

Looking forward to checking out the bizarre & interesting sounding Empire.

- Sujewa
http://www.wilddiner.com/

» Posted by Sujewa Ekanayake at October 11, 2006 06:45 PM

tim t. - No trailers that I can find yet; Studio Canal doesn't appear to have it on their web site either.

Sujewa - Thanks for the insight. I was actually thinking more along the lines of self-distro a la 'Head Trauma' or perhaps your own 'Date Number One' -- the image of Lynch visiting a different town each week and four-walling his movie in barns and backyards sounded romantic -- but a service deal could make a lot of sense if the money is there for Lynch. At least there's a possibility that we won't have to wait too long to see it.

» Posted by Peter Martin at October 11, 2006 11:16 PM

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