September 03, 2006

TIFF Report: The Host Review

(Posted In Action Asia Reviews Sci-Fi / Fantasy Toronto Film Festival 2006 )

hostopen.jpg[TIFF info page here.]

Something lurks beneath the surface of the Han River. Exposed to toxic chemicals from a nearby army base some creature has shifted, mutated, and grown to a monstrous, unrecognizable size. And now it is hungry and coming on shore to feed. There is no warning, no prologue, just the sudden appearance of the full grown beast rampaging through a popular park scooping up victims by the score and swallowing them whole. It is ravenous, indiscriminate, and even once its hunger is sated it continues to lay hold of more victims, hauling them away to its hidden sewer lair for later consumption …

A monster film like no other Bong Joon-Ho’s The Host takes the conventions of the genre and turns them on their head. Yes, there is rampaging monster action aplenty, layered with moments of biting satire and surprising humor, but where most films of the type exist in service of the creature with all other story elements serving to get you to the next major creature sequence The Host takes a completely difference approach with the creature appearing early and often to drive, of all things, a family drama.

You see, one of the final victims, presumed dead after she is witnessed snared and dragged into the river, is Hyun-Seo, the young daughter of Kang-du played by the always excellent Song Kang-Ho. Her family – father, uncle (Park Hae-Il), aunt (Bae Doona, from festival hit Linda Linda Linda), and grandfather (Byeon Hie-Bong) – are mourning her death in isolation, subjected to a medical quarantine for fear that the beast may have exposed them to some horrific new virus when they receive a call from the grave, Hyun-Seo’s crackling broken up voice telling them that she is alive, frightened, and trapped in the dank depths of a very dark sewer, surrounded by corpses. When the authorities refuse to believe the call ever occurred – maddeningly refusing to even check the cell phone records that could have confirmed the story and given her approximate location – it becomes clear that if Hyun-Seo is to survive it is up to her family to escape the quarantine, arm themselves, and stage the rescue themselves.

In the early going it appears that Bong has sketched his characters in the broadest possible terms, the family basic stock types and the American military doctor responsible for the pollution that brings on the mutation played on the edge of camp. But Bong is far too intelligent a director for that it it soon becomes clear that he’s up to something else entirely. He roasts the civil authorities and their pompous sense of self importance mercilessly: whether American or Korean, civil or military, everyone is so confident that they know best, so focused on their own pet theories or holding on to their own dwindling sphere of influence, that their actual ignorance inflicts nothing but unnecessary damage, grief and confusion on the people that they are ostensibly there to protect. And as for the family – the incompetent father, blue-collar grampa, angry former student protester uncle and talented but awkward aunt – Bong wastes no time in stripping away the outer, stereotypical shells and revealing the depths within.

A gifted visual stylist with a healthy budget thanks to the vast acclaim that met his previous directorial effort – the based on a true story serial killer investigation film Memories of Murder – Bong has filled his film with a string of truly iconic images. The creature effects are excellent and, though largely free of gore, the beast is truly fearsome to behold in action whether sluicing through the water, swinging from girder to girder on the underside of one of the Han’s numerous bridges, or gobbling down – or regurgitating – one of its latest victims. He makes excellent use of his talented cast, the stellar Song Kang-Ho in particular, the duo having worked together frequently enough in the past that they know seem to instinctively know how to draw the best out of one another.

For all the flash and the bang Bong never loses sight of where The Host’s true power lies. This is a film about the power of family, a film about the small people who make a difference simply by doing what little they can while the ‘powers’ flail about aimlessly in their self imposed ignorance. While it meets the demands of its chosen genre on every level it also simultaneously manages to find new territory to mine, new legs for the old beast. The ending surprises while it satisfies, simultaneously playing directly to expectations while also refusing to play the easy hand. It is simply a very strong effort that continues to cement Bong’s reputation as one of the world’s great film talents. Very highly recommended.

» Posted by Todd at September 3, 2006 07:01 PM
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Reader Comments

REGION 1 DISC!!! RIGHT NOW!!! SOMEONE MAKE IT HAPPEN!!!!!!!!!!

» Posted by DarkmanPoe at September 4, 2006 11:17 AM

Oh my God! I can't wait to see this film. Memories of Murder is my fav Korean film.

» Posted by janana at September 4, 2006 02:48 PM

I'm moving to Seoul next March, am I going to have to wait until I get there to see it?! I can't go to TIFF (though I live in Toronto).

» Posted by rek at September 5, 2006 11:14 AM

Great movie! Bong is really a talented director.


To Todd:

*SPOILERS!*

Did *** die in the end? Stupid question, I know, but when they had pans of this person's picture at the end I was wondering if somehow this character managed to survive.

Thanks!

» Posted by guest at September 5, 2006 07:40 PM

Sorry to gloat, but The Host opens tomorrow here in Singapore, and I caught the preview today. I'm so glad I managed to watch it in a cinema -- I've had to watch too many Korean movies on DVD, and this one really needs to be seen on a big screen. It's every bit as brilliant as I'd expected -- a wildly entertaining movie that is also intelligent, insightful and genuinely moving. And casting those 4 very distinctive actors from Bong's previous 2 features as members of the same family -- well, that's just a stroke of genius.

» Posted by owlet at September 6, 2006 11:11 AM

Forget the R1, I want to see the Korean R3 LE!!!

Also, I hope it's for sale longer than that special edition of Re-cycle. Gone within a week! Is that a record?

» Posted by ardvark at September 6, 2006 12:12 PM

Boring, boring, boring. Totally disappointed. Nothing I haven't seen done better in a dozen other films. I can not believe the good reviews this film has gotten. Take my advice and stay away!

» Posted by Dan at March 15, 2007 12:36 PM

The people who gave a glowing review of this movie must all be Korean and are biased. This movie was a waste of time for me. Today is the North American release day and I'm pretty sure that it shouldn't last for more than 1 week in the theatres here. It just needs real audiences to realize how poorly this movie was made. The director seems to be some kind of amateur because there is no continuity. One example is the main father character getting a large needle shoved into his shoulder/throat area but next camera shot there's no marks on him. At the end when the homeless guy who comes out of nowhere pours gasoline all over the alleged monster only some parts of the creature burn. I would consider this a comedy. There was some advertising saying that this is the best movie ever to come out of Korea. If that is true then I feel sorry for Korean cinema.

» Posted by Randall at March 31, 2007 02:39 AM

Was a pretty damn funny movie! but really it sucked! not as much as The Village though, but still pretty bad. Wasted my money in the theatre, the first scene where ppl laughed was when the family was all 'crying' when they first thought the girl was dead. Their 'dramatic' overly emotional display of sorrow was totally over the top to teh point where ppl started laughing!! That was the turning point where this movie became stupidly funny! I thought this was a horror... Other faults:
1. The kid was stuck in the sewer. She tried to hide in a hole inside the sewer. There was a scene where the monster tried to attack her when she was in the hole. Why couln't the creature just use it's tail to fish it out. the tail was small enough to reach her.
2. When the alcoholic uncle ran towards the monster at the end throwing fire bombs at it, these fire bombs (there were many he threw) magically appeared in his hands when he had his backpack over both shoulders. The backpack was closed. Made no sense at all.
3. where the hell did the bum at the end come from? the amount of gasoline the bum poured over the monster was like 10 litres, but yet in the scene it was endless amounts of gas being poured on the monster.
4 No continuity between scenes, lots of littles things missed.
5. the music confused the viewers on the type of movie this was. Seriously it's more a comedy.
6. agent Yellow... um it's supposed to kill all in it's path, but the family that was exposed to it...... survived???? why was it released in the mass public? for them (the government) to release the agent yellow at that time in that place, they would have to know somehow that the monster would appear at that spot exactly at that time... which is stupid of course because that was something they couldn't control. It's not like they had a plan to lure the monster there at that time, not the monster ended up there by fluke!!
7. wehre the hell was all the military.....???? (budget cuts for the film?)
8. the woman with the archery. what a joke. totally unrealistic.
9. apparently the monster was supposed to be a mutation from the formaldehyde but formaldehyde is for preserving things, it shouldn't be a mutagent (maybe carcingenic). again it doesn't make any sense.
Conclusion: waste of time! Seriously the movie made no real sense. For a korean movie they spent a lot of money for it, too bad they couldn't pay for a better script and director. this is the second worse movie I had ever seen. the first being "the village"

» Posted by Jane at March 31, 2007 03:02 AM

I actually liked the quirky mix of comedy/horror/drama in this movie. Then again, I also walked into the theatre knowing that this was an atypical monster film.

What's kind of funny is that, after reading some of these comments bashing the movie, I hardly recognized the continuity errors that people have been pointing out. I thought the homeless guy at the end was comically random and that the military was inept (again, to a comic effect), but absent needle marks? Overly volumous gasoline containers? Didn't catch that.

Of course, I don't know why anyone would stew over these details. Nobody seems to question Ahnold's infinite bullet supply or the Vietcong's inability to shoot Rambo. But retrieving an item from a zipped backpack? Blasphemy! "Real" audiences deserve better. Maybe next time those Koreans will learn that if they wanna make a monster film, they better get their mutagents and carcingenics straightened out, because if there's anything audiences hate, it's an unrealistic fictional monster.

» Posted by george at April 8, 2007 03:05 AM

Wow...Is it just me or is "george" the only person here who properly understood this film. This was not a film that strived for realism, or one that was driven by the science of the idea. Rather it worked on multiple levels. It was not only driven by the familial values of this surprisingly quirky family, but it also functioned as a social and political criticism, as we live in a time where governments can an have imposed their own ideals onto their people without first listening to what those people have to say.

To strip away the quirks and the comedy of this movie would result in something not dissimilar to another "anaconda" film. Do not focus on trivial issues such as how many litres of petrol you saw emptied but rather praise them for the seemless intigration of the computer generated monster into the environment to create something truely terrifying.

For those of you who left comments such as those mentioned by me and "george," i suggest you try watching this film again with a little less skepticism and a bit more of an open mind.

» Posted by Harry- at April 13, 2007 09:18 AM

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