April 24, 2006

Dead by Dawn Report: Haze Review

(Posted In Asia Horror Random Festival News Reviews )

hazetsukamoto.jpegOnce again, here's Richard Brunton checking in from Dead by Dawn with a look at Shinya Tsukamoto's latest.

'm a big Asian film fan, I really enjoy the subtler side of their cinema and the way they understand the art of putting the viewer at unease, something in Western cinema we seem to have lost the art of, preferring big visuals and loud bangs.

So I was interested to see some of the latest Asian offerings and this one sounded particularly intriguing. The shorter IMDB blurb provides much mystery: "A man wakes up to find himself locked in a tiny, cramped concrete room, in which he can barely move..."

...and that's where the film began, a man trapped in a darkened series of connected torturous traps.

Unfortunately the screen that was showing this film had the dark levels set somewhere around bright grey. It was a shame for most of this film is played out in almost total darkness. This should provide the same feeling as the character, squinting to see something almost visible, until it slowly comes together out of the darkness, it puts you in the viewpoint of the character. However with the dark levels so high a lot of this subtlety is lost in the, and excuse me for this, grey haze.

The majority of the film is played out in cramped maze like conditions, a maze that puts the main characters through some very claustrophobic and extremely uncomfortable moments. There are some severely uncomfortable images for the audience to sit through and these slowly build up to some moments of true horror. However as the horror rises, the subtlety, unease and plotline fall by the wayside for series of incomprehensibly connected scenes.

It's these later scenes that just confuse the film and take away from its strengths. These early scenes really play to some primal fears, dark, cramped, controlled, tortured, bleeding, and your teeth, and yet that entire feeling is lost later on in the film, and that really hurts it as a result. The ending lacks structure and coherence and by the end of the movie you are left with a hollow feeling and a quite unsatisfying one.

It is a shame because so much more could have been made of this film if something more had been made of the characters and the situation the found themselves in, instead of abandoning it for something more ethereal.

Despite the poor conclusions, the situations that the characters find themselves in early on within the confines of the maze, and those torturous traps, are very good at pulling the audience into some incredibly uncomfortable places.

Review by Richard Brunton.

» Posted by Todd at April 24, 2006 02:25 PM
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Reader Comments

lucky man... still waiting for the BBFC to certify this, and its already been put back on R2 UK DVD by a month...

» Posted by logboy at April 25, 2006 04:25 AM

Released May 22nd in a region 0 Pal format

» Posted by Burnt Glass at May 23, 2006 10:39 AM

not watched the film yet (staying lighter later around here) but did sit to watch the extras on the UK DVD last night. several key pieces in there, adding up to about an hours worth of viewing, two of which are interesting (tsukamoto at locarno film festival in a solo interview with brief clips, and kaori fuji in a section also at locarno which shows her return visit there 10 years after 'tokyo fist'). the third of the largest sections (lating 30 minutes alone - entitled the 'making of') is a disjointed collection of snippets shot during production which shows the small team, confined space, and the mucking-in-together atmosphere of his productions (tsukamoto painting sets?!)...

so you see discussions, set building, filming. you get to hear some dialogue, but its the least interesting of the insights into the film unfortunately, feeling as though it has no direct aim or elements up for discussion. as for the two locarno sections, its interesting to hear tsukamoto clarify and talk about the origins of the story (relates to the same theme pre-'Vital' and comes as one of the key concepts he had been thinking of for some years) and explains that its about mental torture / discomfort but later turns to scenes which also include physical pain - if it returns to the pre-'Vital' themes, he explains, it was accidental. mentions also that this is his first DV film, a good format for a quick production and for shooting in the confined spaces / limited lighting of the film : he say he wishes he had shot Vital this way, and that it may be his format of choice in the future (he mentions the possibility of working in america also). i suspect the films production style is a direct result of his shimizu film 'marebito' (shot in 2004) as 'haze' was planned at the same time as 'Vital' and was shot over just 13 days during january 2005 and then took about a month to edit together... pretty much the same time as 'Vital' all round? in an overall fashion, the extras are a japanese-produced detailed insight that's useful for a film thats a little more intentionally narrative-free and collects disjointed-but-connected scenarios which span across the themes... theres also a couple of trailers on here, the usual picture galleries and biographies. nicely done disc, hoping that when i get a late-night slot to watch the film, that the transfer does it justice. btw, spotted some brief technical flaws in the subtitles - they scatter or fall apart, very odd, never seen a comparable problem before...

» Posted by logboy at June 3, 2006 04:53 AM

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