April 04, 2006

Yuen Woo-ping expresses concern for HK stunt future

(Posted In Random Geek Talk )

HK-Stunt-Legends.jpgWhen Yuen Woo-ping talks you better damn listen. Not simply because the man knows how to beat you down with his pinky seven different ways but because the man is held in such high regard in the HK film community and around the world. If there was ever a bigger buzz word for HK stunt work in this new millenium clearly that person doesn't have a good enough press agent. Or, they suck.

And yet, Yuen Woo-ping is a troubled soul. Yuen is concerned about the future of HK stuntwork. The HK stuntman/woman is a dying breed with fewer young people seriously training in any martial art [Jet Li] or chinese opera [Jackie Chan] in Hong Kong. This isn't a new concern either. Over the years as actors like Li and Chan have been aging and slowing [don't HATE] there hasn't been much of a sign of someone to hand the mantle over to. With more roles being handed over to canto-pop stars with three months training the role of the stuntman is being relegated to the backdrop once again.

The creator of the stunning martial arts scenes in "The Matrix'' and "Crouching Tiger, Hidden Dragon'' worries that Hong Kong may not produce another Jackie Chan or Jet Li. Hong Kongers now shy away from the hard work that martial arts training entails, action director Yuen Wo-ping said Monday at a tribute to action choreographers organized by the Hong Kong International Film Festival. "More people learn martial arts in China. Hong Kong doesn't have another generation of action stars. Many people don't want to learn martial arts because it's too hard,'' Yuen said.

Yuen named Chinese newcomer Wu Jing, who played a vicious killer in the recent "Sha Po Lang,'' as a promising talent. He also praised Donnie Yen, who choreographed "Sha Po Lang,'' about a police officer seeking revenge against a gangster. "His fundamentals are really good,'' Yuen said. "He's willing to rack his brains in designing new moves.''

Yuen, whose Hollywood credits also include "Kill Bill,'' said U.S. filmmakers were drawn to Hong Kong action style because they can't reproduce the same moves. "Their action sequences aren't as diverse as ours,'' he said. Yuen said he is currently working on two U.S. projects, one set in modern day and the other revolving around Snow White. He did not give further details.

[source]

For a lighter read please read Grady Hendrix's account of the ceremony at last night's HKIFF gala banquet over at Kaiju Shakedown. TIFF Midnight Madness programmer and friend of the site, Colin Geddes, geeked out and talked to the legend. And the legend yearned for more.

See more photos from the event over at Kung Fu Fridays.

» Posted by Mack at April 4, 2006 12:45 PM
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Reader Comments

Geddes just called me from a festival post party so that I could listen to Johnny To singing karaoke over the phone ... Johnny's enthusiatic, I'll give him that.

Apparently Colin got some of it on tape and I'm gonna try and see if he'll let me digitize and post it when he gets back on this continent ...

» Posted by Todd Brown at April 4, 2006 12:50 PM

Another sad spin on ageism.

» Posted by robertjunior at April 5, 2006 01:45 AM

Jackie slowed down to a claw like CG robot in 'The Myth', Jet Li was atill freaking fast in the alley fight in Cradle 2 Grave' and did a boffo job in 'Huo Yuen Jia'. I hope people doesn't feel obliged to mention the two names together every time like they are some twins with joint body cause they are two fuckingly different individuals.

» Posted by ATL at April 5, 2006 12:14 PM

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