I think this isreally odd, and really funny, potentially the strangest thing I've heard in some time - very telling too. Seems the planned production-line remake of Dario Argento's 70's classic 'Suspiria' is falling apart at the script level. Why? Because they feel the automatic need to have a plot which makes logical sense - they can't find a way to explain why it's a Dance Academy that's used by witches. The basis for the original is a tale by Daria Nicolodi's Grandmother, partly from 'truth' or her own experiences and opinions on a portion of her life at least, and at one level it's simply a matter of the story being from that perspective. Why then, this need for the original to be followed closely on one level and then undoubtedly completely ignored at others? Why the need to bend it into something that then doesn't resemble what they seem to 'so admire' as they might well say?
Now, for those not too directly interested in Argento's work, they're often described as illogical, often described as using drifting and disjointed logic - as you would experience in a nightmare of your own - so imagine being in the script meetings for the remake and suddenly trying to pull the very individual vision into your perceived 'real world' or 'modern business-like approach to movies' that have a primary intent to make large amounts of cash, potentially in pursuit of bastardising culture from other countries.
Stumped, at least they seem to be. Didn't anyone see this coming? Doesn't anyone consider it's not just a Directors approach, but the complete meeting of all the elements at play in a movie that make it what it is - the culture, the time, the fashion, the crews' experience, the cinematography, the music, and so on - and not simply an 'interesting story'. Sure, narrative is a key and obvious element, not the be all and end all by any means. Argento's key, at least at that time of his career, as with many Directors who have stayed well away from a cash-focused industry approach, is that there is no definitive way of going about anything, that no film needs to be everything to everyone - or even something to more than an audience that makes it survive as a worthwhile use of time and money. [Source : Bloody Disgusting].
You make a good point logboy. It makes me pull my hair to know that these people probably just said, "hey, what successful horror movie can we remake now that will make us a ton of money," without even thinking if the damn thing can be done without throwing today's audience for a loop. A pickle they have found themselves in.
Part of me, probably the sane part, says "Good. This remake should never have happened in the first place, and I hope it never does." The stupider, more optimistic part of me hopes they eventually comprehend what they're working with and decide that a less logic-based and more dreamlike approach is in order here. If they really had a pair, they'd do the remake with kids, per Argento's original wishes. A gory, hard-R Suspiria with a cast of children. Yeah, that'll happen.
i don't think the original should have ever been made. what a piece of crap.
JASON, you don't know anything about cinema, if you don't like suspiria.
For the love of god why can't these people leave well enough alone? Argento is one person whose films need never be remade. By ANYONE for ANY REASON. It's just unnatural.
Yes, we live in a time when the arts are technically advanced, but imaginatively bankrupt. Hence, the remake factory. You cannot take an idiosyncratic director like Argento and force him into a cookie-cutter horror film. Like him or not, his films are from a time when directors were allowed to follow their vision, for better or worse. The film industry is run by bean-counters now.
Yes, we live in a time when the arts are technically advanced, but imaginatively bankrupt. Hence, the remake factory. You cannot take an idiosyncratic director like Argento and force him into a cookie-cutter horror film. Like him or not, his films are from a time when directors were allowed to follow their vision, for better or worse. The film industry is run by bean-counters now.
I predict that if this remake ever got made, the plot would have been thus:
Suzy would have been played by Jessica Alba, who's attending a hip hop school in the hood, where the other girls are totally mean and totally jealous of her, like, awesome dancing and stuff. Of course the movie would be PG-13, so the first death, so lovingly detailed by Argento in the original, would now consist of some nameless actress from the WB stubbing her big toe.
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