Here's one that appeared yesterday, yet again it's another announcement of a film on DVD that I've not seen appear in mentions of editions in other countries so this seems to be another first for the UK - it's Khrjanovsky's odd experimental nasty movie '4'. Unfortunately, according to the announcement, the disc is going to be a simple bare-bones, non-anamorphic, forced-subtitles edition - if you're particular about those kind of aspects, and remember these UK discs are relatively expensive compared to R1 USA discs, then I suggest holding off and waiting until nearer the date for any other possible editions to appear. [Source : DVDTimes].
Here's the synopsis from the ICA website which gives more information that Todd was initially able to provide; they're the ones issuing this disc, "Two men and a woman meet in a Moscow bar and weave extravagant lies about their lives and professions, setting in motion a ruthless, relentless three-lane journey into the dark, secret corners of modern Russia. Beginning with a jarring, dog-endangering prologue, this collaboration between controversial novelist/playwright Vladimir Sorokin and young Russian filmmaker Ilya Khrzhanovsky comes on like a film possessed, constantly morphing into surreal shapes as it careers through its different characters, styles and themes. Mass conformity, biological cloning and genetic manipulation represent the challenges to individual identity here, pushing humanity into the margins and distorting the world’s recognisable form. The resultant pile-up of nightmares — poetic, grotesque, perplexing — may seem random but Sorokin and Khrznavosky impose order on the disorder with their forceful formal authority; it’s quite clear that something is going on — that something is at stake — even if you don’t have a clue what it is. Impossible to classify or compare to other films, 4 stands alone as a radical, troubling, untamed and urgent vision." [Source : ICA].
'4' (aka 'Chetyre') Trailer (downloadable Quicktime, 5Mb).
I wrote a capsule description of the film for the Los Angeles Film Festival last year -- which I don't have a copy of -- but here's the longer note that someone else wrote for the program book:
The film starts quietly enough. Three strangers meet in an after-hours bar. It's late, nearly three in the morning. While the bartender nods off, the three drinkers begin talking. At first, it's idle chitchat, and then the conversation turns to their jobs, or rather to lies about their jobs. Soon truth and fiction seem indistinguishable, as the bar fills with talk of mysterious wave machines, government conspiracies, and secret cloning projects. An hour later, the three part ways, exchanging the somber atmosphere of the bar for the private, disturbing dystopias that await each of them outside. As the film shatters into three disparate storylines, it begins its own slide into madness.
With its bizarre structure and arresting, at times grotesque, images, 4 shows the influence of Herzog and Lynch, but its young director has his own disturbing vision. Stating that he wanted to make a film that "slowly twisted the audience's head off," director Ilya Khrzhanovsky establishes a certain level of normalcy in the early scenes of 4. Only then does he subtly begin stripping away reality, layer by layer, until the audience is left not knowing what to believe or what to expect. Working with oft-censored cult novelist Vladimir Sorokin, Khrzhanovsky has crafted a provocative film where the only thing you can be sure of is that nothing is as it seems.
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