January 17, 2006

Howl's Moving Castle Review

(Posted In Animation Asia Reviews )

howlsR3.jpegYou would have expected the release of a new Miyazaki film to generate more attention than Howl’s Moving Castle did when it came to western shores. Sure, the man may not yet be a household name round these parts but his previous feature did win an Oscar and you’d think that fact alone would have gotten Howl’s a much wider and better publicized release than what it actually received. But when the film released it was without the unanimous acclaim that welcomed Spirited Away. Yes, the critics agreed that the animation was stunning – which it absolutely is, the level of detail and richness of the design is absolutely incredible – but many felt that the script was lacking, that it felt a little disjointed.

But here’s the thing with Miyazaki films: they are almost always more than they appear. Like no other film maker, Miyazaki’s films – with the arguable exception of Porco Rosso which seems comparatively bland and uninspired – reward multiple viewings. Elements that may have appeared lacking, confused or missing on first viewing make far more sense the second time around, when it often becomes clear that it’s not the film that is lacking but the viewer’s expectations that are skewed. The just released Hong Kong DVD of the film makes it abundantly clear that this is the case with Howl’s.

The story of Howl’s Moving Castle begins with Sophie, a nineteen year old girl living in a steam powered, Victorian era European city, working in the hat shop founded by her dead father. Her mother and sister have moved on but Sophie continues with her father’s work because ‘he would’ve wanted it that way’. A chance encounter with the famous and feared wizard Howl draws the attention and ire of the jealous Witch of the Wastes who curses Sophie, instantly aging her from nineteen to ninety. Sophie then sets off into the wastes herself, in search of a witch or wizard who can break her curse, befriending a magical turnip headed scarecrow before taking up with Howl himself as cleaning lady for his fantastic – and fantastically filthy – castle.

With its emphasis on magical and fantastic, along with the early chase sequences, it is only natural to approach Howl’s Moving Castle as a fantasy adventure film and there is a strong element of that to it. Thanks to the scenes depicting the war between Sophie’s country and a neighboring kingdom it is also perfectly reasonable to go looking for political allegory. These are both familiar territories for Miyazaki and while both are certainly present it is vitally important that the audience understand that these elements are, to Miyazaki, interesting but secondary. Howl’s Moving Castle is really, at it’s core, a (ha, ha) coming of age story. In fact, you can make an argument that it is four coming of age stories with the growth of Howl and Sophie reflected, to a lesser degree, in developments with the Witch and the Howl’s fire demon Calcifer. It is also a film very concerned with the importance and nature of family, another of Miyazaki’s recurring themes.

The central story tracks the development of Howl and Sophie, young people who are polar opposites in many ways. Sophie has been forced to age prematurely, living a life driven by duty rather than passion. Howl on the other hand has lived his life as a perennial child, partly do to the easy life his power affords him, partly as a result of a deal he made to gain and bolster his powers as a child. Through Howl’s influence Sophie learns to follow her passions, to pursue her self as well as serving others. Through Sophie, Howl learns commitment and responsibility. Both are made whole by the other.

On a technical level Howl stands rather comfortably as Miyazaki’s finest work. The scope and scale of things is dazzling, the magic that is uniquely Miyazaki fully in effect. He bolsters his trademark visual style with subtle CG effects to bring the titular castle to life, filling it with a personality of it’s own, so strong that it becomes a character all its own. The now expected flying sequences are flawless, and Howl’s magic is by turns charming, frightening and tragic. Plus the film is stocked with memorable characters with fire demon Calcifer providing a handful of classic moments. The man makes a stick with a turnip on it a powerful, emotive character and that really tells you all you need to know. If Miyazaki can make a turnip generate emotions there is no limit to what else he may accomplish.

As for the DVD release itself the Hong Kong set makes it pretty much unnecessary to wait for the upcoming Region One release unless you need a copy that includes the English dub. The picture is anamorphic widescreen with a strong transfer and includes the Japanese audio track in 6.1 sound. The English subtitles are clear and well translated. The second disc does not include English subtitles, but that is an issue on only one feature, a documentary explaining the use of CGI that includes only Japanese sound with Chinese subs. Of the rest the storyboard-to-finished-animation comparison (which should be standard on all animation releases) features no dialogue whatsoever, and the interviews with Howl’s author Diana Wynn Jones, English dub director Pete Docter, and Pixar head John Lasseter were all conducted in English. The questions asked are presented in Japanese but the answers are all perfectly clear. The Jones doc is fascinating as the original author takes some about the changes made from her novel for the film, and Docter and Lasseter are worth watching purely for their fanboy enthusiasm for Miyazaki’s work. The shot of Lasseter blowing past Miyazaki’s offered handshake to grab him in a bear hug when the Japanese legend pays an unannounced visit to Pixar headquarters is absolutely classic.

Howl’s Moving Castle still feels too fresh to really place in the context of Miyazaki’s broader canon. In theme it is a fusion of Totoro and Spirited Away, in terms of overall quality my hunch is that it will eventually settle somewhere in Miyazaki’s top three, certainly no lower than fourth, jostling for position with Totoro, Spirited Away and Princess Mononoke. Howl’s Moving Castle once again demonstrates Miyazaki’s unique gift to make films simple, universal and magical enough to appeal to the smallest children while also layering in such a depth of theme and meaning to reward the most demanding adult viewer’s repeated viewings. A brilliant film, well presented and highly recommended.

» Posted by Todd at January 17, 2006 01:48 PM
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Reader Comments

Wow...glad I got this HK-version one. Was kinda worried for a moment there whether the R1 version would be better.

» Posted by Derick at January 17, 2006 02:10 PM

I've caught both the Japanese and English Versions of the film, and you are absolutely right. It gets better with subsequent viewings...And I really, really liked it the first time around!

Still, for me, Princess Mononoke is the culmination of all of his themes in one perfect package, a technical and emotional build on his way-ahead-of-its-time Nausicaa.

» Posted by Kurt at January 17, 2006 02:13 PM

i'm not sure how well it holds up on multiple viewings, certainly feels less typically 'miyazaki' than other films... would certain say its more than worth seeing, should go without saying, but there you are just in case : see it... great film.

» Posted by logboy at January 17, 2006 02:28 PM

Porco Rosso is my favourite Miyazaki movie... I don't say it's his best work, but it's my favourite one!

» Posted by axleu at January 17, 2006 02:30 PM

Porco Rosso, bland and uninspiring?

Regardless of your credential as a film reviewer, you just disqualified yourself as a person who understnds Miyazaki films.

» Posted by James Chung at January 17, 2006 03:25 PM

Agreed. Porco Rosso is one of my favourite Miyazaki films (actually, they're all favourites, but Porco nudges itself ahead just a tad). The film is pure cool and the flying sequences are amazing and yet to be lived up to in any live action film I've seen to date.

» Posted by xris at January 17, 2006 03:41 PM

Well not to bug about the Porco comment (it is seems like the least popular of his films here in Japan too), but I'm not sure you realize how personal the film is for Miyazaki... Do you know of his work outside of animation? Miyazaki is an authority on WWII era military technology, especially in regards to aviation. He has illustrated for similarly themed model kit magazines for years and published several manga that are practically gushing with love for everything that makes up the setting for Porco Rosso. More importantly, Porco is probably the most adult of his films in the way it presents it's somewhat cynical philosophy... It sure seems more like the rather pessamistic man I read interviews with than Totoro...
Everyone has their own taste. I'm just saying that Porco presents a side of Miyazaki that is rare and somehow unusually personal in his animation work.
(my personal favorite, however, is Laputa. ^_^)

» Posted by gingersoll at January 17, 2006 05:29 PM

I love how discussions about Miyazaki are always about which film people enjoyed most, never about whether his films are any good in the first place. The worst you ever hear about one of his movies is: "It was good, but not as good as his other movies." Everybody just loves his work. ^_^

» Posted by Geert Jan at January 17, 2006 08:23 PM

Strictly speaking... Porco Rosso's setting is right before WWII...

But, it is right that it was a very personal project for Mr. Miyazaki.

Greert Jan, there is a difference between voicing out subjective opinion and making a statement about films. You are right. Who cares if someone loved one over the other. But, if you want to start writing reviews and make a point about somebody's filmography, you have to have an objective and opinions that are based on facts.

Besides, isn't that the spirit of Twitchfilm? To dig little deeper into films known and unknown?

Frankly, I am tired of reviews that are just subjective opinion based. I recognize that at the end, you can't avoid such bias. But, if you are going to give such opinion, at least back it up with why you think so.

» Posted by James Chung at January 17, 2006 10:49 PM

add me to the list of Porco Rosso lovers. It's pretty much my favorite Miyazaki (my Ghibli favorites are usually Takahata's, not Miyazaki's, go figure). Glorious stuff.

» Posted by x at January 18, 2006 12:16 AM

"Porco Rosso, bland and uninspiring?"

In my book yes, absolutely. Most days I would rank it as my least favorite Ghibli film, period, ranking it behind even The Cat Returns. There's not a single character in there that I care a bit about.

"you just disqualified yourself as a person who understnds Miyazaki films."

Please ... not sharing your opinion automatically makes mine invalid? That's just ridiculous, not to mention petty and self important. Understanding something in no way means that you have to like it. And my disliking it in no way means it's an inferior film or that you can't love it to pieces. It simply means I don't like it.

"Frankly, I am tired of reviews that are just subjective opinion based. I recognize that at the end, you can't avoid such bias. But, if you are going to give such opinion, at least back it up with why you think so."

All reviews are purely and simply subjective and opinion based. That's exactly what a review is: an opinion. As for my reasons why I don't like Porco Rosso, if this had been a review of THAT film I would've gone into them, sure. But it's not. It's a review of Howl's so that's the film I talked about.

» Posted by Todd at January 18, 2006 06:51 AM

James, didn't really mean anything by my earlier comment, and certainly not "Who cares if someone loved one over the other."

I like reading different views and opinions about Miyazaki's films. It's just that as a long time fan I'm happy that the overal tone of these discussions is generally very positive.

» Posted by Geert Jan at January 18, 2006 07:33 AM

I've seen it numerous times, in Japanese, English and Swedish. It's a grand creation but a growing sensation? Uhm perhaps.

ps. my reason for even replying was so I could add Pom Poko to the list of favourite Ghiblis. ds.

» Posted by Christ at January 18, 2006 11:58 AM

I find it odd that the blandness of Porco Rosso is what drew you away from it Todd. That's what drew me to it. I wonder what novels miyazaki weas reading to get that easy going vibe he often lacks in his more fanciful and adventuresome films. I wish I had my own private island with a small lake hidden in the center of some forest brush. I truly hope some day a game developer tries to recreate a Miyazaki world effectively so I can spend more time in it.

» Posted by Noah at January 18, 2006 01:05 PM

There are a few things that put me off it ... I think dropping a fantasy based character into such an obviously real world setting doesn't work particularly well, Miyazaki's obviously going for a noir / Bogart / Casablanca feel and I just don't think he writes a particularly good anti-hero, etc. The biggest thing, though, is I just find Porco - alone among Miyazaki's films - really emotionally cold.

» Posted by Todd Brown at January 18, 2006 01:49 PM

Todd, Todd, Todd...

You know I love and respect your great work here at Twitch, but I gotta admit I stopped reading your article as soon as you called PORCO ROSSO "bland and uninspired". That's as sacreligious as it is confounding, given how richly inspired and utterly mesmerizing the film is. I mean, dear God, it's Miyazaki making a Michael Curtiz film... with a WWI flying ace who's been transformed into a pig! That is anything but uninspired.

Then I read your latest comment post, which doesn't exactly help your case... ;-)

You wrote: "dropping a fantasy based character into such an obviously real world setting doesn't work particularly well." Um... like in TOTORO? Or WHISPER OF THE HEART? Or even KIKI'S DELIVERY SERVICE? C'mon, dude.

You also wrote: "The biggest thing is I just find PORCO really emotionally cold." Um, did you miss the flashbacks - like Marco and Gina's young love, and Marco telling Fio his own hauntingly heartbreaking (and devastatingly beautiful) origin? Not to mention both Fio's and Gina's (very different kinds of) love for Marco, made all the more tragic because he obviously can't let himself be loved by anyone due to the fact he's been hardened by war and tragedy and, oh yeah, TRANSFORMED INTO A PIG.

My God, man. Go back and watch this [brilliant, inspired, touching and exhilarating] film again! Subtitled! ;-)

Miyazaki is God.

» Posted by Robogeek at January 20, 2006 04:10 AM

Heh, heh, heh ... it's not like I haven't given it a chance, man. I've popped it in the player every four or five months since I first saw it to see if my opinion has changed but I just don't like Porco. Such is life.

» Posted by Todd at January 20, 2006 11:18 AM

Oh ... and the fantasy element thing ... I have no problem with it in Totoro and Kiki because they are obviously fantasy stories from a child's perspective. It's harder to buy a love story between a woman and a pig.

» Posted by Todd at January 20, 2006 11:19 AM

> It's harder to buy a love story between a woman and a pig.

I dunno man... goolge image search "woman-pig-love" and I think you might find graphic evidence of the very real possible love bewteen the two...

Agh. Girlfriend is hitting me.

Ironically she used to own a pet pig.

My. head. ow.

» Posted by gingersoll at January 20, 2006 01:23 PM

I officially lost my appetite.

» Posted by x at January 20, 2006 01:37 PM

How to get from sensitive Miyazaki film to Woman-Pig Love in under 20 posts: ----See Above.

/got nothing.

» Posted by Kurt at January 20, 2006 01:46 PM

So whats the problem of a fantasy story from a more mature perspective? Wasn't it mentioned earlier that Porco Rosso is considered Miyazaki's most cynical film?


It was originally developed as a short film to entertain airline businessmen before being expanded into a feature length. I loved how the film had a slightly more mature feel about it and it certainly was different having a lot less Miyazaki enviromentalism beaten over your head.


But why can't fantasy be seen from an adults point of view? Why do an animation film and not have fun in doing even a tiny little bit of elements of fantasy? Even Satoshi Kon's stuff (mature, no mecha or swordfighting etc), totally uses the escapisms of fantasy to tell a great narrative on a purely adult level.


But yeah, in my opinion of course, I think the use and mysteriously unaddressed thing of Porco being a man turned into a pig worked well in the context of the film. Defined him much differently from other Miyazaki creations and I'll just go down to a basic level... I mean c'mon... a flying pig! Thats just cool.



Oh... and How to get from to one film review to next to no comments about the actual reviewed film: ----See Above.

» Posted by xris at January 21, 2006 03:55 AM

"But why can't fantasy be seen from an adults point of view?"

In the book world, the Canadian author "Guy Gavriel Kay" comes to mind. I know this is way off thread (also mentioned by xris), but why nobody has opted to develop any of Mr. Kay's novels as film scripts is beyond me.

(Tigana would make a spectacular film)

And yes, I'm waaaay off thread.

» Posted by Kurt at January 21, 2006 10:46 PM

Tigana's pretty good ... it was the first Kay I'd picked up since high school ... the Fionavar books feel like they're trying a bit too hard from time to time, but I had a serious weakness for them back in the day ...

» Posted by Todd at January 22, 2006 06:02 PM

Getting very much off Thread here, but I keep coming back to Tigana, Lions of Al-Rassan (which as of last year was rumoured at www.brightweavings.com to be in a script-development stage) and the Sarantine Mosaic...especially the latter...Damn fine writing...

I too feel that Fionavar is way to strained...the man hit his stride with Tigana and hasn't looked back....

» Posted by Kurt at January 23, 2006 12:04 AM

Did you guys know that the flim was an adaptation of a book of the same title by a british author Diana Wynne Jones which she followed up with a sequal called Castle in the Air, which really isn't a sequel since the characters of Howl's moving castle only shows up half into the book. Mr. Miyazaki did a great adaptation of it that would make the author proud.

» Posted by aiz at March 5, 2006 01:29 PM

Howl's moving Castle was really good. Too bad there wasn't a sequel to the movie. I think it weighs heavily on the action and a bit of romance. I seriously like it. It's cool! Especially Howl...

» Posted by Sho at April 14, 2006 02:16 PM

Howl's moving castle...
I've only seen the movie...

um, People?

» Posted by W at April 14, 2006 02:19 PM

wasn't this SUPPOSED to be the review on HOWL"S MOVING CASTLE????

Well, of course i like all of Mr. Miyazaki's work... Although I'm not sure about Porco Rosso... See above.

I adore the animation and how well he did them.It was splendid!
Howl is my fav character in it, you guys?

And W, please gather more info first, beforehand!!!!

» Posted by Xler at April 14, 2006 02:27 PM

I think they should add more pics of Howl on Google nad yahoo. I can't seem to get enough of it!!!!

» Posted by Sho at April 14, 2006 02:29 PM

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