December 21, 2005

청연 (Blue Swallow) Press Screening Report (+ Video)

(Posted In Asia Drama Film News Interviews Trailer Alert )

That morning, rain kept coming and going at Haneda Airport, it was August 7 1933. All they could do was hope skies would clear up, since they couldn't possibly delay the flight. She was nervous, as she was about to embark on something she dreamed since she was little, something she fought for, shed tears for, lost people she loved for her entire life. She took the big bouquet of flowers they gave her, and entered her companion for all those long years, the 청연 (Blue Swallow). She knew that plane like a lover knows her soulmate, and when the 'Blue Swallow' started moving, she knew this was the most important day of her life. All that separated her from home, the place she left over a decade before to pursue her dreams, were the Manchurian skies. She and the 'Blue Swallow' took off at 10:35 that morning, slowly disappearing inside the spectacular painting the horizon created. Coming home would represent victory for her, but she was never able to complete that flight, which tragically ended after 50 Minutes. She was Korean aviator Park Kyung-Won.

Born in Daegu at the end of the 19th century, Park left school and moved to Yokohama, to pursue her dream of becoming Korea's first female aviator. Despite her father's complaints, she became an almost legendary figure in Japan, a sort of Korean Amelia Earhart. But when Yoon Jong-Chan, who helmed the amazing 소름 (Sorum), embarked on this project, few people were sure of what would come out of this big challenge. It was a big budget film with a touchy theme, and even if big stars were involved, failure was just around the corner. Yoon could have faced the same difficulties as Song Hae-Sung, another director who scored big -- with the melodrama 파이란 (Failan) -- but then failed with a similarly ambitious project.

Be it because it was mostly set in Japan, or released in a period when the two countries weren't exactly hugging and shaking hands, 역도산 (Rikidozan: A Hero Extraordinary) failed to capture the attention of the viewers, and quietly faded out after a couple of weeks on release. Yoon's new film 청연 (Blue Swallow), emphatically named after Park Kyung-Won's plane, seems to walk more or less the same risky path: it features again a Korean born real life figure who became a legend in Japan, and died in a mysterious and tragic way. It's a big budget epic which shot all over the world, from the US to China, from Korea to Japan, and it's a long and painstaking labour of love for Director Yoon and star Jang Jin-Young, who completely dedicated herself to this film for the last 15 Months.

But it seems 'Blue Swallow' will have to fight hard not to crash and burn. No, not because of competition, which will be fierce, but a good film shouldn't fear any of that. It's instead the usual ultra-conservative facets of Korean Media coming out of the closet just at the right moment, and twisting things their own way, sometimes ruining the chances of success for films like this. With all the Media hoopla about Hwang Woo-Suk's scandal, another fire was ignited earlier this week, when a few articles started appearing online, presenting 'facts' pointing to Park Kyung-Won being a member of a 친일파 (Pro-Japanese Group), being so involved in activities in the neighbouring country, when Korea was suffering from their colonial rule.

They even brought up the fact she actually wasn't the first Korean female aviator, feat which belongs to Kwon Gi-Ok, who organized a flight secretly to protest Japanese rule (a subtitle added at the end of the film noted this). But what does all that have to do with the film, which is about Park Kyung-Won's dreams and her life, not necessarily being 'first', pro or against something? And why do we need to bring those arguments up now, right before the films' release? Some people on nKino's DJUNA board argued it could be a case of rival distributors fighting an 'invisible' war against the film. Which, knowing how easy it is to create an inflammable mood over the Korean web world, could actually work. Just look at the MBC scandals, or going back a few months, the Dokdo debacle.

But then again, not all people get swayed by politics when choosing the films they watch. 'Blue Swallow' had its long awaited press screening at the Megabox in Samsung-Dong. Present at the premiere director Yoon and stars Jang Jin-Young, Kim Ju-Hyeok, Han Ji-Min and Yoo Min. After 3 long years of preparation, the film will finally release on December 29.

You can read a preview of the film here.

Press Screening Clip (Downloadable, 8 mb, Windows Media)

Press Reaction

The reaction was pretty much unanimously positive. Critics commented the film was able to effectively combine the fiction and real events into something which will relate to the viewers, and that it portrayed Park Kyung-Won's success and failures with pathos. Yoon Jong-Chan's capable hand in directing was praised, along with the performance of the cast. But they also said the film should have been a little more dramatic in tone, focusing in a sharper, more striking way on Park's complications. As for the flight scenes, feelings were mixed, noting that at the beginning they felt a little awkward, but in the second part of the film they became really powerful and spectacular. In terms of box office, Jang Jin-Young and Kim Ju-Hyeok's star power should allow the film to be successful, even though what effect the online protests about the film will have is still up in the air. The results of pre-order sales will be crucial to see that.

Quotes

Lee Sang-Yong: More than the spectacle of its flights, 'Blue Swallow' is a film honestly focusing on the impending tragedy of a person.
Lee Hyung-Seok (Herald Economy): A film able to effectively combine rhythm and spectacle, drama, the powerful acting of its leads and the meticulous skills of the director.

Interview and Comments

There were complaints regarding Park Kyung-Won really being the first Korean female aviator or not.
Director Yoon Jong-Chan: This film is not really about being first. But I think the fact marketing put so much emphasis on that became a problem. If Park Kyung-Won was a 'first', that's only being the first civil [not involved with any organization at government or military level] female aviator, that's for sure. Someone from the air force beat her, but I'm sorry this problem emerged anyway.

But the complaint extended to the fact she could have possibly been involved with Pro-Japanese groups.
Yoon: If you research about Park Kyung-Won's life, you'll find people talking positively about her, and those who label her a Pro-Japanese collaborator. Her feats, being a female aviator et al, made her like an idol star back then, with all the consequences that come with that, including articles and scandals. But there's really no way to find out the real truth. I don't think we can objectively comment about her involvement with the Japanese, especially during her last flight. We used that angle because it would emphasize the dramatic tone of the film, but at the end of the day, her actions were dictated by Park Kyung-Won herself, not someone else. Just because I was educated in Korea, my intent was not to depict Park Kyung-Won as an heroic figure or an independence fighter. She was someone who was constantly labeled as both a traitor to her country and a national hero, even though she only wanted to pursue her dreams. In a word, she was dealing with a double-edged sword. She was the first Korean woman to ride an airplane, and the first to complete a long distance flight. As her dream was getting closer, she was distancing herself more and more from her homeland, and people started pointing fingers at her, which started the 'Pro-Japanese' complaints.

The flight scenes must have been the most important, so which point did you emphasize?
Yoon: It might have been just a biplane, but I wanted to create very dynamic scenes, and also instill some feelings into them. I wanted to convey all those mood swings you experience while flying. But the most difficult thing was the CG at the end, we really modified a lot of scenes. I often kept wondering if these were just limitations we had to deal with, but the CG Team worked hard until the end, and we completed all the changes we needed.

This is the second time you work together [after 2003's romantic comedy 싱글즈 (Singles)], how did it feel?
Jang: Acting with Ju-Hyeok after working well together in 'Singles' is something I'm really thankful for, and feel lucky about. He's really a fun person to work with, there's a certain witty and humourous side to his personality, even when he's with strangers. I'd love to work with him again.
Kim Ju-Hyeok: First off, since we previously worked together, it was pretty comfortable. I thought I'd have to help Jin-Young, and we worked well together, supporting each other. It was really hard, but I think it's something we'll remember in the future.

Quick Judgement

Movieweek's Song Ji-Hwan
Film Quality: GOOD
Box Office Potential: GOOD

Screen's Kim Do-Hoon
Film Quality: GOOD
Box Office Potential: AVERAGE

Premiere's Jeon Jong-Hyuk
Film Quality: GOOD
Box Office Potential: GOOD

Sports Hanguk's Seo Eun-Jung
Film Quality: GOOD
Box Office Potential: GOOD

Kyunghyang Sports' Choi Jae-Wook
Film Quality: GOOD
Box Office Potential: GOOD

Herald Economy's Lee Hyung-Seok
Film Quality: GOOD
Box Office Potential: GOOD

Joy News 24's Jung Myung-Hwa
Film Quality: GOOD
Box Office Potential: GOOD

Hanguk Economy's Yoo Jae-Hyuk
Film Quality: GOOD
Box Office Potential: GOOD

Cinetizen's Kim Geon-Woo
Film Quality: GOOD
Box Office Potential: GOOD

Movist's Lee Hee-Seung
Film Quality: GOOD
Box Office Potential: GOOD

--


bsparrow.jpg청연 (靑燕, Blue Swallow)
Director: 윤종찬 (Yoon Jong-Chan)
Cast: 장진영 (Jang Jin-Young), 김주혁 (Kim Joo-Hyeok), 유민 (Yoo Min), 한지민 (Han Ji-Min)
Official Website
Theatrical Trailer (Streaming, 700k, Windows Media)
Teaser Trailer (Streaming, 300k, Windows Media)
Teaser Trailer (Streaming, 700k, Windows Media)
Teaser Trailer (Streaming, Real Media)
Making Of Mini-Documentary (Streaming, 500k, Windows Media)
Making Of Mini-Documentary 2 (Streaming, 500k, Windows Media)
Making Of (Streaming, 300k, Windows Media)
Music Video (Streaming, 500k, Windows Media) [Lee Seung-Cheol - 서쪽 하늘]
Movie Stills/Posters
Produced By: 코리아 픽쳐스 (Korea Pictures)
Rating: 12 and Over
RELEASE: December 29

[Sources: Film2.0, nKino, Yonhap News]

» Posted by X at December 21, 2005 08:03 PM
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Reader Comments

Korean in chaos!!!

The chaos comes from how this movie copes with the treacheous misconducts of korean in the colonial era. Some insists that this trial,itself,to make a movie about the betrayer is totally a disaster resulting in malicious intention. Actually, the trial was on time and successful in filling up the curiosities on the people who lived in the colonial years of 1910~1945. Lots of koreans have been looking forward to this movie, since they wanted to know how a first korean female aviator overcame the bad environments, expecting this movie to show the agonies, love, hope, frustration and misconducts of the young ,based on the true story, in the eye of objective description with no excuse.


However, this movie revealed itself to be somewhat a betrayal to all...OOOps, the scenaries are good.

The Movie trailer or the posters says "the character of this movie is the first female korean pilot" however, it is a contempt and a lie to the korean history. They are telling a lie to attract people, emerging lots of curiosities and emotions on this woman, Park Kyungwon, recognized as a national betrayer but not well-known woman.

The director of this movie insists that it is focused on the story of a woman who fiercely achieved the completion of her dream to be a pilot and has no intention to beautify the misconduct of betraying her people, korean.

This movie also has been extreamly well-equiped with lots of wonderful scenaries and a grand-romance for 2 years of making this film, such a long time to pour such a bunch of money, $10,000,000.

However, The director and this movie do not give audience enough information on what she did and who she is in the acerbic history of korean colonial days. It just says "...there is some arguements on her... ", in a vague message. This movie is devised to touch the audience by her precious desire for the flight, her crash of beautiful love, and her decision to participate in the flight for the emperer of japan, an inevitable and bitter one to make her dreams come true. But the all of the drama is pretty far from the real story and the suspicion of her treachery, giving this woman a salvation from the korean-audience. What a terrible fake and its result!!

Even though it shows the last treacherous act to her country to the audience, it is not enough to support the director's intention not to beautify the betrayer but to strengthen the excuse or justification of the betrayal of the most of the korean people in the colonial era.

In addition, ironically, the fist korean pilot is Ki-Oak Kwon,who were trained in the chinese-air force school in 1925, a member of the resistance for korean-indipendence.

Lot of Koreans are moved by the fake story...
Lot of koreans are blaming the director and this movie for their avoiding the responsibility and playing contemptions to the korean history.

» Posted by CHANG at December 23, 2005 04:31 AM

Avid reader of the Chosun Ilbo, I see... -_-

You can post your (predictable) ultra-conservative rethoric all you want, as far as I'm concerned. But one post only, thank you. Next time you spam the same article with 7-8 posts with the same text, consider yourself banned. This is not your personal propaganda tool.

» Posted by x at December 23, 2005 08:48 AM

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