As any regular reader of this site will know I am a big fan of Denmark’s Anders Thomas Jensen. The hugely prolific writer has been involved in most of the major Scandanavian films of the past decade, has maintained a staggering level of quality across his many genre hopping films, and is now increasingly turning his eye towards the director’s chair. Jensen had a pair of film’s present in the 2004 edition of the Toronto Film Festival – the absolutely spectacular Wilbur Wants to Kill Himself, which he wrote, and the very strong Green Butchers, which he both wrote and directed – and so I was greatly pleased and not at all surprised to see his latest winning acclaim at festivals the world over.
As you might expect from the title Adam’s Apples - available on DVD here - has some rather metaphysical leanings tied in to the normal Jensen blend of existentialism, absurdism, and jet black comedy. While he has flirted with religious ideas in the past with Adam’s Apples Jensen moves well beyond batting eyelids at the spiritual and goes ahead and invites God home for a drink or two while he slips into something more comfortable.
Adam Pedersen is a neo-nazi skinhead just released from a stint in prison and assigned to live with a minister – Ivan, played by the always solid Mads Mikkelson - in a remote country church. Initially the two seem to fit right into their respective stock molds but it soon becomes apparent that Ivan is more than a little eccentric. He has a way of blandly brushing aside any sort of hostility as if it wasn’t even there, is inordinately proud of the apple tree on the church grounds, and expresses dismay that someone has included a note that Adam is “evil” in his prison records, that dismay not because Adam might actually BE evil but because it seems terribly rude to say so on a person’s CV. When Ivan gives Adam free reign to choose his work while at the church, Adam facetiously suggests that he would like to bake a cake with the apples from the church’s apple tree. Ivan, the walking curiosity is rapidly proving himself to be, immediately agrees that this is an excellent idea.
Adam’s Apples begins as a standard culture clash comedy with the skinhead and the priest joined at the church by an alcoholic, ex-rapist, washed up former tennis player played by Nicolas Bro – and anybody who’s seen Bro knows why this is funny – and a Saudi man convicted of holding up convenience stores. But, this being a Jensen film, it does not remain at all ‘standard’ for long. When a flock of crows descends on the apple tree Ivan declares that Adam’s resolve is being tested by the devil, a situation initially played for comedy, and we quickly come to realize that Ivan’s religious convictions run deep and serve to mask a troubling past. Throw a biblical plague or two, outbursts of racial violence and an honest to goodness sign from heaven and a heavy reliance on the book of Job into the mix and you have a film that aims to entertain while looking seriously at the problem of good and evil and the nature of faith.
That Ivan is meant as a stand in for Job quickly becomes clear enough. That Adam is, well, Adam and the churchyard Eden is also quite obvious. But what do you make of a film that clearly takes the existence of God seriously but which casts the only true believer of the lot as a man with some serious mental health problems? The answer dropped a few hours after viewing the film and the key lies, of course, with the apples. The fruit from the Tree of Knowledge of Good and Evil. Adam and Ivan stand as polar opposites at the beginning of the film, a true Yin and Yang. Ivan has deliberately blinded himself to the presence of evil in any form. Adam has utterly rejected goodness. Both are living half a life and need the knowledge the other has to truly become whole. Ivan needs to be broken down and accept the reality of his life and history while Adam needs to realize that there is truly good in the world and that it goodness does not equate to weakness. Interestingly Jensen also seems to assert that faith – any faith, no matter how poorly founded – is a powerful and necessary thing a position that came as something of a surprise.
Adam’s Apples doesn’t quite reach the heights of Jensen’s finest work, its characters and situations are not as immediately engaging and entertaining as they have been elsewhere, but it is certainly in the upper echelon. My first reaction on leaving the theater was that this was a film I needed to see again to fully appreciate, one that would reward repeat viewing and close attention to detail. The characters have a tendency to be types more than they are people and Jensen tacks a thoroughly unnecessary epilogue onto the end of things but the film has plenty of heart, plenty of style, a fistful of solid laughs – including some shockingly non-politically correct lines dropped by the gruff local doctor – and a wealth of meaty ideas to sink your teeth into.
I'm a big fan of Mads Mikkelson having seen him in King Arthur, playing Triston. Anything he plays in cannot be wrong. I believe he has chosen a good movie to play in. The storyline is great quality.
The line-up of Nordic films competing this year for Best Foreign Language Film Oscar nomination is impressive-- those in L.A. area can immerse themselves in Nordic film at this excellent festival:
SCANDINAVIAN FILM FESTIVAL L.A. UNREELS JAN. 15, 20, 21 AT WRITERS GUILD THEATER ADDING NORDIC PRESENCE TO "WINTER FILM SEASON"
SCANDINAVIAN FILM FESTIVAL L.A. JAN. 15, 20, 21 spans two weekends at the Writers Guild Theater (135 S. Doheny/at Wilshire in Beverly Hills) for a Nordic "weigh-in" during L.A.’s winter film season build up to Oscar nominations. The festival focuses on work of Nordic film makers offering Nordic Oscar contenders along with other current films, and a sampling of shorts and documentaries from Denmark, Finland, Iceland, Norway, and Sweden.
"This is the 7th year the festival has brought ‘northern lights, camera, action’ to Los Angeles." says festival Founder/Director Jim Koenig. "We have a devoted audience of film lovers, industry professionals, and homesick Nordics eager to see what’s new from the northlands! A lot has happened in Nordic film since the Bergman classics, or Von Trier or the Bros Kaurismaki gained a ‘cult following.’ Despite Nordic climates, Nordic film is hot! In fact, in the first six years of our festival we’ve seen five Academy Award ‘Best Foreign Language Film’ nominations. From the quality of the films-- we could well see another this year!"
Gala "Opening Day" for the festival Sunday Jan. 15 featuring three Nordic Oscar submissions starts off at 2 p.m. with Finnish Director Klaus Harö’s –MOTHER OF MINE an epic story of a child’s plight in the midst of the warring world. Set during the Finnish-Russian War (1939-1940) 70,000 children were evacuated from Finland to Sweden. This is the story of one boy who had two mothers, and at the same time–none. Following at 5 p.m. is Norway’s KISSED BY WINTER debut film from director Sara Johnsen set against the beauty and brutality of the winter landscape of a small town, where a Stockholm doctor who blames herself for her son’s death, sets up practice as a country doctor. When the body of a young Iraqi immigrant is found in a snowdrift and a genial snowplow driver is suspected of manslaughter, the doctor determines to find the truth. The screening is preceded by a Norwegian short film- Rune Tempte’s CARGO a five minute film with Bermanesque musings weighing issues of life, death, infinity, and points of arrival and departure At 6:30 the festival opening day gala buffet feeds hungry film revellers with a Nordic flair. At 8:15 Sweden’s ZOZO from director Josef Fares unreels with the story of a boy who grows up in Beruit and, inspite of the civil war, tries to live a normal life until tragedy strikes and he is forced to find hope and make his own way in a new life in Sweden. .
Friday Jan 20– offers an evening of Danish film beginning with Denmark’s CHINAMAN directed by Ruben Genz. When Keld’s wife walks out describing 25 years of marriage as "life in a cemetery" he sells his plumbing business, and subsides on nightly meals at the local Chinese take-out restaurant where he eventually strikes a deal with the owner to enter a "marriage of convenience" with his sister to help her get the Danish equivalent of a green card since he needs money to buy "his share of the house" from his "x." The result is a haunting cross-cultural romantic comedy full of understatement and irony. At 8:15 the tone changes dramatically with director Per Fly’s MANSLAUGHTER– in which a respected fifty-two year old high school teacher with a wife and a son is having an affair with a former student who is an extreme left-wing activist. When the girl is implicated in the death of a policeman the affair is revealed and he leaves his stunned wife to devote all his energies to the girls defense.
Saturday Jan. 21 opens at 10:30 a.m. with AFRICA UNITED, a lively and upbeat documentary that introduces us to a Moroccan immigrant who, after ten years in Iceland was desperate and depressed until he decided to bring life to his amateur soccor team comprised of other immigrants to Iceland from Morocco, Nigeria, Columbia, Serbia, Kosovo, Gambia and Guinea and take them into semi-professional play. In the process we are taken us on an enchanting journey into the the dreams and aspirations of a football-crazy coach and his colorful team of "misfits." Following at 12 noon is Iceland’s Oscar submission AHEAD OF TIME directed by Agust Gudmundsson. After 22 years the Icelandic director offers the sequel to his musical comedy "On Top", which ws the unidisputed numer one box office hit of all times in Iceland– the story of a rivaly between two rock groups– a girl band, and a boy band. The current opus find the aging and rapidly deteriorating male group suddenly seeing the opportunity of a big come back!
At 2:00 p.m. Finnish Director Petri Kowica’s HOMESICK tells the story of seventeen year old Sami, who, after an accident neither talks nor shows feelings and is taken against his mother’s will for care in the youth ward of a mental hospital. Sami’s new roommate would prefer staying forever in the security of the hospital and the two develop a strange friendship. A caring male nurse deccides to find out what was really behind the "accident" in this film about survival, care, and hope. Following at 4 p.m. is a screening of Finnish Oscar submission MOTHER OF MINE. At 5:50 a Norwegian short TOUCHED directed by Marcelino Martin Valiente and inspired by a short story by Norwegian writer Knut Hamsun about love, passion and the unexpected preceeds Erik Skjoldbjaerg’s 6:00 AN ENEMY OF THE PEOPLE. The Norwegian director first gained international recognition for his 1997 feature debut Insomnia and consolidated his reputation in 2001 with the explosive Prozac Nation. In this modern version of Ibsen’s classic play we encounter a TV celebrity who intends to rivitalise his small hometown in partnership with his brother by marketing the local sping water. Their venture stumbles as traces of a banned pesticide are found in the water and bankruptcy threatens, dividing the brothers on the best course of action.
At 7:45 HARRY’S DAUGHTERS from Swedish director Richard Hober serves up an intense drama with psychothriller elements which is set into motion when two sisters find themselves pregnant at the same time. At a dinner, the older sisters feels ill and becomes alarmed. Both couples go to the hospital together– only to find that one baby is fine and the other has dies. After the birth of the healthy child, the sisters’ relationship unravels.
SCANDINAVIAN FILM FESTIVAL L.A. is under the auspices of The American Scandinavian Foundation of Los Angeles. For further information and for ticket ordering instructions you may log-on to www.asfla.org.
Or call 323 661 4273.
The line-up of Nordic films competing this year for Best Foreign Language Film Oscar nomination is impressive--
SCANDINAVIAN FILM FESTIVAL L.A. UNREELS JAN. 15, 20, 21 AT WRITERS GUILD THEATER ADDING NORDIC PRESENCE TO "WINTER FILM SEASON"
SCANDINAVIAN FILM FESTIVAL L.A. JAN. 15, 20, 21 spans two weekends at the Writers Guild Theater (135 S. Doheny/at Wilshire in Beverly Hills) for a Nordic "weigh-in" during L.A.’s winter film season build up to Oscar nominations. The festival focuses on work of Nordic film makers offering Nordic Oscar contenders along with other current films, and a sampling of shorts and documentaries from Denmark, Finland, Iceland, Norway, and Sweden.
"This is the 7th year the festival has brought ‘northern lights, camera, action’ to Los Angeles." says festival Founder/Director Jim Koenig. "We have a devoted audience of film lovers, industry professionals, and homesick Nordics eager to see what’s new from the northlands! A lot has happened in Nordic film since the Bergman classics, or Von Trier or the Bros Kaurismaki gained a ‘cult following.’ Despite Nordic climates, Nordic film is hot! In fact, in the first six years of our festival we’ve seen five Academy Award ‘Best Foreign Language Film’ nominations. From the quality of the films-- we could well see another this year!"
Gala "Opening Day" for the festival Sunday Jan. 15 featuring three Nordic Oscar submissions starts off at 2 p.m. with Finnish Director Klaus Harö’s –MOTHER OF MINE an epic story of a child’s plight in the midst of the warring world. Set during the Finnish-Russian War (1939-1940) 70,000 children were evacuated from Finland to Sweden. This is the story of one boy who had two mothers, and at the same time–none. Following at 5 p.m. is Norway’s KISSED BY WINTER debut film from director Sara Johnsen set against the beauty and brutality of the winter landscape of a small town, where a Stockholm doctor who blames herself for her son’s death, sets up practice as a country doctor. When the body of a young Iraqi immigrant is found in a snowdrift and a genial snowplow driver is suspected of manslaughter, the doctor determines to find the truth. The screening is preceded by a Norwegian short film- Rune Tempte’s CARGO a five minute film with Bermanesque musings weighing issues of life, death, infinity, and points of arrival and departure At 6:30 the festival opening day gala buffet feeds hungry film revellers with a Nordic flair. At 8:15 Sweden’s ZOZO from director Josef Fares unreels with the story of a boy who grows up in Beruit and, inspite of the civil war, tries to live a normal life until tragedy strikes and he is forced to find hope and make his own way in a new life in Sweden. .
Friday Jan 20– offers an evening of Danish film beginning with Denmark’s CHINAMAN directed by Ruben Genz. When Keld’s wife walks out describing 25 years of marriage as "life in a cemetery" he sells his plumbing business, and subsides on nightly meals at the local Chinese take-out restaurant where he eventually strikes a deal with the owner to enter a "marriage of convenience" with his sister to help her get the Danish equivalent of a green card since he needs money to buy "his share of the house" from his "x." The result is a haunting cross-cultural romantic comedy full of understatement and irony. At 8:15 the tone changes dramatically with director Per Fly’s MANSLAUGHTER– in which a respected fifty-two year old high school teacher with a wife and a son is having an affair with a former student who is an extreme left-wing activist. When the girl is implicated in the death of a policeman the affair is revealed and he leaves his stunned wife to devote all his energies to the girls defense.
Saturday Jan. 21 opens at 10:30 a.m. with AFRICA UNITED, a lively and upbeat documentary that introduces us to a Moroccan immigrant who, after ten years in Iceland was desperate and depressed until he decided to bring life to his amateur soccor team comprised of other immigrants to Iceland from Morocco, Nigeria, Columbia, Serbia, Kosovo, Gambia and Guinea and take them into semi-professional play. In the process we are taken us on an enchanting journey into the the dreams and aspirations of a football-crazy coach and his colorful team of "misfits." Following at 12 noon is Iceland’s Oscar submission AHEAD OF TIME directed by Agust Gudmundsson. After 22 years the Icelandic director offers the sequel to his musical comedy "On Top", which ws the unidisputed numer one box office hit of all times in Iceland– the story of a rivaly between two rock groups– a girl band, and a boy band. The current opus find the aging and rapidly deteriorating male group suddenly seeing the opportunity of a big come back!
At 2:00 p.m. Finnish Director Petri Kowica’s HOMESICK tells the story of seventeen year old Sami, who, after an accident neither talks nor shows feelings and is taken against his mother’s will for care in the youth ward of a mental hospital. Sami’s new roommate would prefer staying forever in the security of the hospital and the two develop a strange friendship. A caring male nurse deccides to find out what was really behind the "accident" in this film about survival, care, and hope. Following at 4 p.m. is a screening of Finnish Oscar submission MOTHER OF MINE. At 5:50 a Norwegian short TOUCHED directed by Marcelino Martin Valiente and inspired by a short story by Norwegian writer Knut Hamsun about love, passion and the unexpected preceeds Erik Skjoldbjaerg’s 6:00 AN ENEMY OF THE PEOPLE. The Norwegian director first gained international recognition for his 1997 feature debut Insomnia and consolidated his reputation in 2001 with the explosive Prozac Nation. In this modern version of Ibsen’s classic play we encounter a TV celebrity who intends to rivitalise his small hometown in partnership with his brother by marketing the local sping water. Their venture stumbles as traces of a banned pesticide are found in the water and bankruptcy threatens, dividing the brothers on the best course of action.
At 7:45 HARRY’S DAUGHTERS from Swedish director Richard Hober serves up an intense drama with psychothriller elements which is set into motion when two sisters find themselves pregnant at the same time. At a dinner, the older sisters feels ill and becomes alarmed. Both couples go to the hospital together– only to find that one baby is fine and the other has dies. After the birth of the healthy child, the sisters’ relationship unravels.
SCANDINAVIAN FILM FESTIVAL L.A. is under the auspices of The American Scandinavian Foundation of Los Angeles. For further information and for ticket ordering instructions you may log-on to www.asfla.org.
Or call 323 661 4273.
Accidentally posted the Scandinavian Film Festival L.A.info twice-- but there really is an excellent line-up of Nordic films. Directors of the Finnish, Swedish, and Norwegian entries will be at the festival for Q & A. Note of explanation-- two excellent Danish films that have been doing well at international festivals will be screened. The Danish Oscar entry-- ADAM'S APPLE can't be screened this year because it's in special competition in Sundance-- but there is really good buzz on several of the Nordic films in competition for Oscar nomination-- and you're chance to see what's happening in Nordic film.
watched this a while back... nice little movie :)
Thought the review looked a little familiar. Why re-post the exact same review from 2 years ago? Are they actually showing it at Fantasia this year? If it is, why not have someone else write their own review for it. -- as it is, I'm not sure why you posted your (excellent) TIFF review under "Fantasia Report".
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