Cannes 2015 Review: AMY Beautifully Celebrates A Wonderful And Tragic Life

Every so often a film will come along that redefines an entire genre of cinema. A film that excels so completely the result is any similar film gets compared to it for years to come. In 2010, Asif Kapadia did... More »
By Ryland Aldrich   
  

Learning From The Masters Of Cinema: Peter Bogdanovich's PAPER MOON

Perhaps best known as the film for which a ten-year-old Tatum O'Neal won herself a Best Supporting Actress Academy Award, Peter Bogdanovich's Paper Moon is a beautifully constructed Depression-era caper brimming with heart and powered by a pair of flawless... More »
By James Marsh   
  

Review: TOMORROWLAND, Yearning For The Past, Dripping With Disney Spirit

Four years after the greatly entertaining Mission Impossible: Ghost Protocol, Brad Bird tackles the live action dimension for a second time with Tomorrowland, a massive sci-fi production intended for the whole family. Despite a rather enjoyable first part and Bird's... More »
  

Cannes 2015 Review: CAROL, Tremendously Accomplished, Yet Cold

Todd Haynes' Carol is an objectively beautiful film. It is exquisitely acted, hauntingly shot and meticulously well-designed. And it left me surprisingly cold. The same-sex melodrama presents an interesting case where form and content match up a little too well.... More »
By Ben Croll   
  

Cannes 2015 Review: GREEN ROOM Doesn't Pull A Single Punch

Some gigs really aren't worth taking. That's a maxim that the members of broke touring punk band Ain't Rights probably haven't heard of and certainly aren't going to adhere to when they get offered $350 to play a backwater skinhead... More »
By Ryland Aldrich   
  

Review: POUND OF FLESH Is Soft In All The Wrong Places

Jean-Claude Van Damme continues to explore and embrace his darker side in this modest Asian action thriller, as a kidnap & rescue specialist who falls foul of organ traffickers in the Philippines. Sadly, budgetary constraints and a lack of interesting... More »
By James Marsh   
  

Cannes 2015 Review: SEA OF TREES, Glimpses Of Beauty Within A Poisoned Forest

It's never a good thing when a film gets booed, but it happens more frequently at Cannes than anywhere in my experience. Often this booing takes on a kind of group think, with headlines all over the world declaring the... More »
By Jason Gorber   
  

Cannes 2015 Review: IRRATIONAL MAN, Woody Allen's Maudlin, Disappointing Trifle

Let's make this perfectly clear - Woody Allen, director, is one of the most unique and prolific talents in the history of cinema. Every year we get a film on schedule, often a chatty and intellectually rich ensemble piece... More »
By Jason Gorber   
  

Cannes 2015 News: Peter Chan To Direct Biopic Of Chinese Tennis Ace Li Na

We Pictures has announced that acclaimed Chinese filmmaker Peter Chan Ho Sun (Wu Xia, Dearest) will direct and produce a biopic of Li Na, the celebrated Chinese women's tennis champion, based on her best-selling autobiography Li Na: My Life.Li Na... More »
By James Marsh   
  

The Many Faces Of Charlize Theron

Mad Max: Fury Road is putting the pedal to the metal in cinemas worldwide, and two things have become apparent. One: reviews so far are almost ridiculously positive. Two: everyone agrees Charlize Theron is awesome. Thing number two shouldn't come... More »
By Ard Vijn   
  

Cannes 2015 Review: COIN LOCKER GIRL Offers New Perspectives On Standard Thrills

Against a parking lot bursting with saturated colors, a person lies on the ground, at the mercy of another standing above them who wields a sashimi knife still dripping red from its last kill. Dark, bloody and stylish, this could... More »
By Pierce Conran   
  

GREEN ROOM: Watch The Exclusive First Clip From BLUE RUIN Director's Next

How do you follow a film that many have acclaimed as a masterpiece? Well, if you're Blue Ruin director Jeremy Saulnier you gun to do it with another one. Cue up 2015 Cannes selection Green Room, Saulnier's third feature soon... More »
By Todd Brown   
  

Review: BOMBAY VELVET Takes A Gorgeous Look At Jazz Age Hoodlums

If there's anything that Bombay Velvet director Anurag Kashyap has taught us over his last couple of films, it's that he knows how to stage a rousing action sequence. Not only did he create the greatest gangster film of the... More »
By J Hurtado   
  

Cannes 2015 Review: THE LOBSTER Starts Strong But Loses Its Way

Boy, I wanted to love this movie. Really, I did. I mean, the first shot of the film is a delight - a woman is passively driving in a car. She gets out, windshield wipers still flailing away, and... More »
By Jason Gorber   
  

CEMETERY OF SPLENDOUR: Check The Exclusive Trailer For Apichatpong Weerasethakul's Latest

Previous Palm d'Or winner Apichatpong Weerasethakul (Uncle Boonmee Who Can Recall His Past Lives) returns to Cannes with his latest effort Cemetery Of Splendour and Twitch is proud to present the world premiere of the latest film from the Thai... More »
By Todd Brown   
  

Cannes 2015 News: George Miller on MAD MAX - "I'd See It In 3D"

During the press conference for (the sublime) Mad Max here at Cannes 2015, TwitchFilm asked George Miller directly about his preference for which version of the film he preferred - stereoscopic, or 2D.Due to comments before the film's release... More »
By Jason Gorber   
  

Cannes 2015 Review: THE SHAMELESS Delivers Hardboiled Melodrama With Top Drawer Performances

"Learn the rules like a pro, so you can break them like an artist." -Pablo Picasso Today's Korea, whether looking at its entertainment, fashion or culinary scenes, is a society awash with fusion. Nowhere is this more true than in... More »
By Pierce Conran   
  

The Mad, Mad, Mad, Mad Worlds of MAD MAX: FURY ROAD

What will the future look like? In Mad Max: Fury Road, director George Miller and his fabulous team conjure up strikingly distinct landscapes for what is, in essence, a chase movie. Yet it's a chase movie with great empathy for... More »
By Peter Martin   
  

Review: GOOD KILL Intelligently Examines Drone Warfare

"Keep compartmentalizing" is a piece of advice from a commanding officer to his ace pilot. This is darkly humourous, intelligent screenwriting because these drone-piloting soldiers spend 12 hours a day literally inside a box, albeit an air-conditioned one filled... More »
By Kurt Halfyard   
  

Cannes 2015 Review: THE ANARCHISTS Cares Not For Your Bourgeois Cinematic Ideals

How do you say "awards-bait" in French? Take two of the hottest young stars in France, team them up with a rising star director, and then give them a period topic with obvious shades of hot button current events. The... More »
By Ryland Aldrich   
  
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